That's the problem. Netflix has their writers write with the hope the series will stay on the air for years. So it gets boring after a while as they start looking for new themes and repeating old ones. Then they suddenly cancel it because viewers stop watching and they never end the story leaving you high and dry. I;d rather watch a two-hour movie that ends and you can leave the theater satisfied with a beginning and end to it just in time when the popcorn runs out.
That's the problem. Netflix has their writers write with the hope the series will stay on the air for years. So it gets boring after a while as they start looking for new themes and repeating old ones. Then they suddenly cancel it because viewers stop watching and they never end the story leaving you high and dry. I;d rather watch a two-hour movie that ends and you can leave the theater satisfied with a beginning and end to it just in time when the popcorn runs out.
And, the commercials.
That's the problem. Netflix has their writers write with the hope the series will stay on the air for years. So it gets boring after a while as they start looking for new themes and repeating old ones. Then they suddenly cancel it because viewers stop watching and they never end the story leaving you high and dry. I;d rather watch a two-hour movie that ends and you can leave the theater satisfied with a beginning and end to it just in time when the popcorn runs out.
What's with these digital films that seem too dark when adjusted for showing? Or there's no contrast, just a bland image? Who taught these people how to grade colors?I like stories that finish. I also don't mind cliched stories. I just like movies and series to be well-made, enjoyable, and beautiful (i.e. on film). I have never really cared about avant-garde cinema. This is one of the things that I find very unfortunate about most productions going digital--a lot of the simple but enjoyable movies miss out on a lot of their potential by not being elegantly photographed on film.
What's with these digital films that seem too dark when adjusted for showing? Or there's no contrast, just a bland image? Who taught these people how to grade colors?
The sound track of the clip indistaed france I belive. In any case Highy specalised.That is one of the features on the additional materials disk that accompanies the Oppenheimer Blue Ray. I assumed that the 65mm cutter was brought over from the UK, because of the accent.
When I started going to the cinema as a child in the 70s. it was quite typical to have a short film followed by maybe two or three commercials followed by trailers of forthcoming films....then the main feature. That's why they are called feature films after all, the main feature which comes *after* the other stuff. The household also had just one TV, 18" with a crappy picture and mono sound...and three channels available.
In those days the commercials were typically for Kia-Ora orange drink, which would be offered by a young woman between the trailers and the movie.....the Chinese restaurant around the corner, "After the film, why not enjoy a meal at The Great Wall Restaurant - Just around the corner from this cinema!" (it still is)....and maybe a commercial for new cars or a bank. The adverts gradually got bigger, especially when the independent cinema started taking Perl & Dean adverts. But back then, British adverts were witty and unique. Now the ads at the cinema and on TV are generic, dubbed ads that can be shown anywhere in the world.
The short film would be something that the cinema had available, often some 10-20 minute film about wildlife in some far flung part of the planet, or another culture in an equally distant place.
So I am well used to the feature beginning 30 minutes after the advertised time....BUT the caveat is that they used to tell you that so you could choose.
The USP for me with the cinema now is that the better ones have large, reclining seats, and hopefully big screens. Something like Oppenheimer or Dune really benefits from the big screen....and even my kick-ass 5.1 system with a couple of thousand Watts at it's disposal doesn't quite match the IMAX experience.
I've never been one to guzzle popcorn during a movie but the spousal units do. Doesn't seem to be a problem. But those bloody phone screens lighting up really distracts me. If you really need to take some vital call, go outside. Otherwise, if you are so addicted to your phone that you cannot sit for around two hours without gazing at it....you have a problem and need to seek some therapy. I am quite a heavy smart phone user but I can put the thing aside for two to three hours.
Cinema has lost some of it's USP because we no longer squint at 20" TVs at home with either a pan and scan (yuck yuck I could never understand why) or letterboxed movie and a mono speaker. Most people now have decently large screens with at least a surround sound bar (though I think they tend to be pretty poor they are better than what most people had 20 years ago). Something special can still get bums on seats....with Oppenheimer, Dune and Barbie all being special for different reasons. OF all those, I think Barbie would translate to home viewing the best because the visuals take a back seat to the (very clever) story. Oppenheimer and Dune are not only compelling stories but also have great visuals and sound.
Covid also resulted in changes. Cinemas closed completely for the better part of two years here and many more people subscribed to streaming services. Many have yet to be tempted back.
AS for regular TV, I am blessed to live in England with the BBC that runs no adverts. The commercial stations are limited reasonably sensibly in how frequent and how long the ad breaks can be. I remember when I did move to America for a time in the late 90s, I found broadcast television completely unwatchable because of the frequency and length of ads. But the streamers currently have the money to hire the best writers and screen the best stories.
Oppenheimer was an event, and it was well advertised....by which I mean the promotion was effective. It made people curious to watch the film. Going to the cinema does mean getting off your bum and generally driving somewhere, paying a fair amount per person and making an evening of it (or an afternoon at the weekend). It is a great experience that most of us don't have at home. But the difference between home TV and the cinema is less than it was not so long ago.
……In those days the commercials were …
….I've never been one to guzzle popcorn during a movie but…
…if you are so addicted to your phone that you cannot sit for around two hours without gazing at it....you have a problem and need to seek some therapy…
…Something special can still get bums on seats....with Oppenheimer, Dune and Barbie all being special for different reasons….
I am eternally grateful that capitalism hasn't taken over the UK to such an extent that I'm as bombarded with ads as you are.…
Back to movies, even after the feature film starts the advertising does not. Product placement and product mentions is a huge part of that industry. I’ll cite Reeses Pieces in the movie “ET” as an obvious example.
And I have a degree of jealousy. While I abandoned TV and films decades ago, I remain a fan of radio, however, American radio has descended into the same pit with 22 minutes of commercials per hour, not to mention the hate played on the “talk” formats. I’ve even given up on NPR (for a variety of reasons) and my smart speaker is usually tuned in to BBC World Service or BBC Radio 4. I also find LOTS of great content with the BBC Sounds app.
Back to movies, even after the feature film starts the advertising does not. Product placement and product mentions is a huge part of that industry. I’ll cite Reeses Pieces in the movie “ET” as an obvious example.
My favorite example was the pine tree shaped air fresheners in Repo Man.
The BBC isn't permitted product placement. Indeed up until the 90s the rules were so strict that they'd tape over trademarks and brand names with black tape....and more recently when Bake-Off was on BBC they were using Smeg branded fridges that had been provided by Smeg for free....which was fine, but they had to remove the Smeg logo from the fridges!
Elsewhere on British TV (the commercial channels) product placement is lawful but heavily regulated. Generally British audiences prefer advertising to be separate from the actual programming. Last time I watched broadcast TV in America the ads were still as subtle as a sledgehammer to the head. So I can understand the problems faced by viewers.
As listener (and collector) of BBC radio shows, I’ve heard lots of non-references to product names, many times for comedic effect, and sometimes a disclaimer if an interviewee mentions one. Despite of that, I have learned about various British product names like Tesco, Watney’s, Marks and Spencer, Jaffa Cakes, and, of course, all those British cars. (I have a ‘65 Triumph TR4.)
While I haven’t watch TV in a very long time, I am told that ads for prescription drugs are everywhere.
American TV is full of ads for prescription drugs, whereas such ads are outlawed in many countries.....on the grounds that decisions on which medicines are prescribed are best decided by a doctor or specialist and not based on any advertising.
Mentioning company and brand names on the BBC has been relaxed in recent decades, especially where said company has not provided any free services/equipment. But anyone who was a child in the early 80s or earlier can remember references to making crafts with "sticky back plastic" rather than uttering the brand name of an adhesive tape.
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