Of course it is considered, but the level it is presented here....my god it is exhausting to see it just swallow up every industry topic, and it does. Some of you just don't let up...it's like you never even take a vacation, just constant doom and gloom mortar rounds, "Boom, Boom, BOOM!"
But you don't see how it wears people down, drives them away and worst of all, it's in a public part of the forum and the site admin just does not seem to give a flying film canister about. I have a thread going on doing some form of ULF reversal output and it is hardly of any interest compared to this kind of battleground crap.....I mean, how sad is that?
Where is he "dictating" anything?
Yet again, RattyMouse, you appear to be making a personal attack on someone simply because they are disagreeing with you.
On a recent visit to the Eastman House museum it was sobering to see a Kodak 'Slice' touchscreen digital camera from the prehistoric year of 2010 on display in a glass case alongside 1963 Instamatics and Brownies from 1900. The overall theme of the exhibit was the "Disappearance of Darkness"... the vanishing large-scale photo industry, particularly Kodak, Ilford, Agfa and Polaroid.
In 1996 Kodak commanded two thirds of the global film market with revenues of $16 billion. Today, only 18 years later, film photography has been almost entirely eclipsed by digital imaging and Kodak is just a pale shadow of the giant it once was. The sudden change has been a terrible shock and loss to those of us who are invested in the old ways, but a welcome advance for just about everyone else. In another twenty years chemical photography will be a distant cultural memory to all but a few antiquarians, contrarians and artists.
The Kodak collapse has attracted a small crowd of curious onlookers and some observers seem to have taken a perverse pleasure in it, but once the dust clears there will be very little left to see. If you want to continue to take chemical photos, you'd better learn how to make your own emulsions or buy lots of film from the remaining suppliers to encourage them to stay in business.
Just yesterday I stopped by a local Vietnam Veterans second-hand store to look at old cameras and the young woman behind the counter cheerfully noted that her photography class had been the last ones in her high school to learn darkroom procedures. Too bad you can't buy film anymore, she lamented. She was genuinely surprised to hear from me that the local drugstore chains, big box retailers and two remaining local camera stores still sold film. I suggested that she pick up one of the old cameras in that display case and go buy some Kodak product to put in it.
Earlier this year I went out and bought several Instax Mini cameras for the teenage nieces. They were delighted to see the little prints pop out and develop before their eyes. How cool! Just doing my part to keep film alive. It's ironic that Kodak's instant photo process lives on as the Fuji Instax and may well be one of the last analog films to enjoy any popular commercial success into the 21st century.
90% of projected in a single fiscal year?
the vanishing large-scale photo industry, particularly Kodak, Ilford, Agfa and Polaroid.
The sudden change has been a terrible shock and loss to those of us who are invested in the old ways, but a welcome advance for just about everyone else.
If you want to continue to take chemical photos, you'd better learn how to make your own emulsions or buy lots of film from the remaining suppliers to encourage them to stay in
...
I suggested that she pick up one of the old cameras in that display case and go buy some Kodak product to put in it.
. Photography will go on without "K".
Meanwhile, down a few flights of stairs you'll find a steady flow of students learning how to coat glass plates with silver emulsions, make their own photo paper, create digital negatives, etc. Photography will go on without "K".
I believe that the motion picture film and still film are separate entities, still film is with Kodak Alaris while Eastman Kodak makes the motion picture film.
If you had worldwide exclusive rights to the current output of Kodak films, would you try changing your product?
They (KA) seems to be stuck in a very hard situation.
So if you are like me and love the film, what more can be said but keep buying it, using it and in my case impressing your customers with the finished images you make with it.
I imagine most actual photographers are like me and will worry about it when announcements of discontinued films or big price increases are made. Until then, viva-la-Kodak!
Attached shot last week on KODAK TMAX 100 4x5 film....
It's not clear if Kodak Alaris has any capability to change their film offerings. Do they have technical talent and facilities to produce new formulations?
Where would these be produced?
Without these, KA is nothing more but a marketing/sales office that can only offer up whatever Eastman Kodak gives them. When EK shuts down film production, KA will be unable to continue to sell film.
They (KA) seems to be stuck in a very hard situation.
Modifying my original text to include a devilishly happy emoticon is a profound insult. I did NOT put that in my post and it shows how absolutely bankrupt your position is (and how unethical you are), that you simply MUST lie about me to make your "point".
As ALREADY mentioned earlier, I shot 40 some odd rolls of 120 film during my recent 7 day holiday. I DO shoot film. I try to shoot at least 5 rolls per week during a regular work week.
I am off to the film store today to restock, since this recent holiday completely depleted my supply. I will buy at least 50 rolls of film today.
Kodak owed their UK ex and current staff money, the agreed settlement was the UK pension fund got the UK Harrow plant as a going concern as well as profit from still film sales. KA is the entity (a UK ltd company) that owns and administers the settlement.
They could do a Ferranni or rebadge eg a Harman product, but they are ex-EK staff so Id not lose sleep worrying. Think they coated film until 2004 but the 400 staff long gone.
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