It's an excellent film - essentially FP4+ without red sensitivity - I like its colour sensitivity much more than FP4's. Unlike most Ortho films on the market, it's a normal (can be boosted where needed) contrast film. Wonderful for pebbledash and textures. Boost the contrast up & with the right subject matter you'll get something of the wetplate look without needing to play with noxious chemistry. More importantly, it helps safeguard a crucial technical/ darkroom/ masking film in Ilford's range.
I agree. I like increased response to toning, and more speed matching into the higher grades. Better blacks, and slightly warmer tones is good as well.
And here’s the tech sheet: https://www.ilfordphoto.com/amfile/file/download/file/1952/product/745/
Here’s a comparison between the new V vs IV. https://www.ilfordphoto.com/amfile/file/download/file/1954/product/745/
It looks good
Toning in selenium tends towards aubergine, which sounds better than purple-brown. I hope it's not to different. I'm very eager to get a bit.Here’s a comparison between the new V vs IV. https://www.ilfordphoto.com/amfile/file/download/file/1954/product/745/
It looks good
Hah - I posted after reading the data sheet, but before seeing this one. Kudos to Harman for providing this informative direct comparison, and thanks to Adrian for posting the link.
Hah - I posted after reading the data sheet, but before seeing this one. Kudos to Harman for providing this informative direct comparison, and thanks to Adrian for posting the link.
I actually bought 5 boxes of out of date Ortho Plus a couple of months ago for next to nothing. now its highly publicized I will be able resell for a profit and buy some fresh fp4.
I wonder how curly it is, Ortho tends to be thinner than normal. Not a problem with sheet film.
It has a nice tonal range for portraiture. Think it would work well with a nice cooltone paper.
Not very good for taking pictures of fluffy white clouds against a blue sky, but should be good on gloomy cloudy days.
Would work well with yellow, orange, green and even blue filters, not so well with red.
I would give it a go, but my roll film draw in the fridge is full.
Tim Rudman has a review of the Multigrade V paper in his newsletter.
http://www.timrudman.com/
Direct link: https://tinyletter.com/timrudman/letters/tim-rudman-s-newsletter-october-2019
I asked about the availability of new paper from nordphoto but they said V paper is going to slowly replace IV .. Does anyone know where to get the paper in europe? I'm already out of paper so I should order new soon anyways..
Considering how much it will likely sell, the price seems about right.The newly introduced Ortho film in 35mm and 120 formats is substantially pricier than its panchromatic siblings.
https://www.ag-photographic.co.uk/ilford-ortho--495-c.asp
The newly introduced Ortho film in 35mm and 120 formats is substantially pricier than its panchromatic siblings.
https://www.ag-photographic.co.uk/ilford-ortho--495-c.asp
Considering how much it will likely sell, the price seems about right.
For the record, it is £8.69 vs £5.19 for FP4+, all 135 36exp.
If they want to see further new products, people need to start paying realistic prices for film etc, not the prices they feel entitled to.
Seems like a pretty stupid move if that price is the true one, and not an opportunistic one set by some smartarse.
It's got to be cheaper to make since there is likely no colour couplers.
At least make it the same price as FP4.
They must have put in a lot of effort to avoid this pesky red sensitivity ... amazing that they got as high as ISO 80!It's a specialty variant on FP4+ coated perhaps once a year. It's not a cheap litho/ high contrast duplicating film repackaged, but a normal contrast camera film that just happens to not be red sensitive.
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