I *highly* doubt that, both Tmax films are in a solid class by them selves, I suspect they would be among the very last to go.
And if EK/KA would just issue their loyal customer base a little bit of forward-looking product guidance for their remaining film lines, then you (and everyone else) wouldn't be forced into "suspecting" anything. You wouldn't have to. You would know. We would know. Everyone would know.
I have still 30 odd rolls left in 120 format. Not been cooled or anything. I wanted it to use as testfilm but I never bothered. Wanna have it?
Never heard of it so I guess I won't miss it.
with Ilford's committment to XP2,there is no need for this film.if it goes,others may live longer.
My best guess is that at this time, KA doesn't have any firm product plans and are at present, 'shooting from the hip'. Their one goal is, and must be, to figure out a strategy that will make money.
My best guess is that at this time, KA doesn't have any firm product plans and are at present, 'shooting from the hip'. Their one goal is, and must be, to figure out a strategy that will make money. If they are discontinuing a product like BW400CN it's because the projected sales of the product won't cover the manufacturing cost they must pay Kodak and the associated distribution costs.
I know some here probably think the only reason they are doing this is to 'wind up' RM.
with Ilford's committment to XP2,there is no need for this film.if it goes,others may live longer.
Without track and trace shipping will be around 18,00. That would be around $25,00? I have 3 cartons with 4 propacks in it. Exp date 2010. Interested?
with Ilford's committment to XP2,there is no need for this film.if it goes,others may live longer.
I for one am disappointed. Obviously Ilford will be getting my business here since they are the "last film standing."
I did use this film alongside the traditional b&w films as it provided certain unique advantages. I could shoot at ISO200, 400, 800, and even 1600 on the same roll and still develop it all together. I could develop it in the same batch as all my other color films. I know this isn't critically important to APUGers but it is wonderfully easy to scan, even allowing dust controls.
It didn't take the place of regular black & white, but it is still sad to lose options. But obviously Kodak was right in this case. Not many are sad to see this one go. It looks as if I am one of the few who regularly used it.
Not trying to pick on you, Dan. Really I'm not. It's just that the obvious is sometimes just so damned... umm, obvious.
KA announcing its first film discontinuation has a huge symbolic significance.
how is this a huge symbolic significance ?
its a film that probably didn't sell well enough to keep making
and they axed it. EK has been doing this since forever .. and it seems like business as usual.
i have no idea why this is so significant and symbolic? significant that they are paying attention to film sales and getting rid of things
that don't make enough profit? doesn't seem significant or symbolic to me ... just good business sense ..
how is this a huge symbolic significance ?
its a film that probably didn't sell well enough to keep making
and they axed it. EK has been doing this since forever .. and it seems like business as usual.
i have no idea why this is so significant and symbolic? significant that they are paying attention to film sales and getting rid of things
that don't make enough profit? doesn't seem significant or symbolic to me ... just good business sense ..
You nailed the significance right there. Kodak Alaris took over film sales and *nothing changed*. Film sales continued to decline even with an "owner" that is ostensibly interested in maintaining or improving film sales (unlike Eastman Kodak which declared film a non core business).
Even with that improvement, Kodak Alaris' sales dwindled to the point that a film died.
There is *no reason* why BW400CN had to die. Ilford's XP2 shows that a C41 monochrome film *can survive* in today's film market.
Kodak Alaris' ownership of film has not stopped the bleeding.
The writing was on the wall for this film long before Kodak Alaris ever existed as Kodak itself had already discontinued the film in 120 format, so I don't think the discontinuation of the 135 variety says very much about anything at this point.
As a 120 shooter, I'll happily continue using Fuji 400CN as my main C41 B&W with a bit of occasional XP2 use thrown in. Business as usual for me.
You nailed the significance right there. Kodak Alaris took over film sales and *nothing changed*. Film sales continued to decline even with an "owner" that is ostensibly interested in maintaining or improving film sales (unlike Eastman Kodak which declared film a non core business).
Even with that improvement, Kodak Alaris' sales dwindled to the point that a film died.
There is *no reason* why BW400CN had to die. Ilford's XP2 shows that a C41 monochrome film *can survive* in today's film market.
Kodak Alaris' ownership of film has not stopped the bleeding.
how is this a huge symbolic significance ?
its a film that probably didn't sell well enough to keep making
and they axed it. EK has been doing this since forever .. and it seems like business as usual.
i have no idea why this is so significant and symbolic? significant that they are paying attention to film sales and getting rid of things
that don't make enough profit? doesn't seem significant or symbolic to me ... just good business sense ..
Again, this film did NOT have to die. Ilford proves this every day.
Kodak failed, again, to find a market for their world class (and I mean this seriously; every account says this was a great product) film.
+1
Not only Ilford, when I see that impossible project is selling films at price of 20€ for 8 pictures - and they are running out of stock often, so selling faster then producing new - this means only that Kodak is not competent. Let this Kodak dies already so that we can be over with, and concentrate on healthier and more intelligent companies.
It doesn't prove a thing. Impossible film is a niche product made in tiny quantities for a tiny market so it has to sell for a high price and they can get it. Very, very different from 35mm and 120 or even conventional sheet film.
Sheesh, this is a film that was barely used, not widely liked, and that many people did not even realize was still made, for a market that pretty much died when the minilabs did.
I'd be more worried about KA if they DIDN'T discontinue this film. It would indicate something akin to, if not insanity, at least lack of any business intelligence whatsoever.
To me it's obvious why it is of huge symbolic significance.
... snip...
Someone called CN film a gateway drug to film photography, and I agree with that in the best possible sense.
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?