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Roger Cole

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None, for the same reasons I didn't use it when it was around, lack of local processing.

Ian

There's no local processing here I'm aware of for E6 either, and most likely for C41 (though I can, of course, do either of those myself.)

I don't really care about local, I send out color all the time both E6 and C41, but this isn't going to happen, give it up already.

I have (hopefully much more realistic) hopes of Film Ferrania coming out with a new choice in E6 film and hopefully a high speed E6 to replace my beloved Provia 400X.

Face it folks, Kodachrome is gone. Of the past. Kaput. The way of the Dodo. I too would like it to still exist but wish in one hand...
 

Roger Cole

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It's gone, as in ultra-permanently. I think we have a better chance of seeing dinosaurs, a Tasmanian tiger or a Dodo bird before Kodachrome again.

I launched my photographic career in my late teens using the stuff in the Navy decades ago...
View attachment 156324

I shot my very last roll of it on January 17th, 2011 out in Parsons Kansas, the last roll anyone shot of it for that matter...
View attachment 156325

I had a wonderful time with that film but it is gone and the book that I am ( finally ) going to be putting out will bring closure to that chapter of my life....

Glad the book is coming out.

Quibble - you have no way of knowing you shot the last roll ever shot. I highly suspect you didn't. You may have shot the last roll to ever be properly processed in Kodak-spec Kodachrome process, however. People probably shot more rolls they couldn't get processed, processed as black and white, a few people have tinkered with processing it themselves (with one good result I know of, as discussed here.)

It was nice, great even for its day and for some things, but as you say it is GONE. We might get a better selection of E6, heck we might still get peel apart instant pack film again, we DID get a version of SX-70 type film and even a recreated type 55. Kodachrome? No. Ain't happenin'.
 

Roger Cole

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I don't know about the impact that Kodachrome had (I don't think that kind of impact is possible again - the industry has changed so much for starters), but if you want the Kodachrome look, shoot Ektar 100. It's the closest thing to Kodachrome available today.

I shoot reversal film for projection. Hard to project an Ektar 100 negative. (Well it's actually easy, but it won't look like Kodachrome!)

Now of course I can ... geez, APUG even flags words that it thinks fit DPUG better now. Anyway, I could shoot it and do various things to it to get an image I could project with my Epson projector, but the resolution of that d### projector just isn't remotely film resolution though stills look very good from normal viewing distances.
 

Sirius Glass

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Speak for yourself! I have a PDP-11 running a teletype and paper tape in my basement, just like I had in high school!

Maybe you need to get outside a little more often. :wink:
 

Theo Sulphate

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Speak for yourself! I have a PDP-11 running a teletype and paper tape in my basement, just like I had in high school!

<wavy lines....>

I have a PDP-11/10, which is a true microprogrammed UNIBUS machine from 1974, 28k words of core memory, an RK05 disk drive, dual RX01 floppy drives, a DECwriter, a VT220 terminal (because it has 20ma current loop), and Extended Arithmetic Element boards which I have yet to install. I also have spare processor and memory boards.

I found and fixed the few hardware issues it had early on when I put the system together in the mid-1980's.

1986__pdp11-10-1.jpg



We now return you to our regularly scheduled Kodachrome thread...
 
Last edited:

removed account4

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If Kodak relaunch Kodachrome and one development center for Kodachrome; how many rolls you will buy????

i wouldn't buy any kodachrome at all, even if it was free i would give it to someone else.
there's a lot of things available now ( color films ) and those enjoying color should concentrate on them
pretty soon they won't be available either.
 
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farmersteve

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<wavy lines....>

I have a PDP-11/10, which is a true microprogrammed UNIBUS machine from 1974, 28k words of core memory, an RK05 disk drive, dual RX01 floppy drives, a DECwriter, a VT220 terminal (because it has 20ma current loop), and Extended Arithmetic Element boards which I have yet to install. I also have spare processor and memory boards.

I found and fixed the few hardware issues it had early on when I put the system together in the mid-1980's.

View attachment 157053


We now return you to our regularly scheduled Kodachrome thread...

Can you get photoshop on that thing? ;-)
 

Xmas

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<wavy lines....>

I have a PDP-11/10, which is a true microprogrammed UNIBUS machine from 1974, 28k words of core memory, an RK05 disk drive, dual RX01 floppy drives, a DECwriter, a VT220 terminal (because it has 20ma current loop), and Extended Arithmetic Element boards which I have yet to install. I also have spare processor and memory boards.

I found and fixed the few hardware issues it had early on when I put the system together in the mid-1980's.

View attachment 157053


We now return you to our regularly scheduled Kodachrome thread...
I used to use PDP8s and DEC10s seems like yesterday
 

cooltouch

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I guess I'm decidedly in the minority. My answer to the OP's question is non-specific: "As many as I can afford." I miss Kodachrome. The last Kodachrome I shot was a couple rolls I burned through so it would reach Dwayne's before they shut down processing -- when was that? December, 2010? So, yeah, that's the last time I shot Kodachrome. It wasn't too long after that, that I shot my last rolls of Kodak slide film -- Elite Chrome 100, which BTW I thought was brilliant stuff. But it's all water under the bridge now, since Kodak doesn't produce any slide film anymore. So it's all Velvia and Provia now.

Look, the main reason why I would like to see Kodachrome to still exist is simple. It is still the best, most stable medium in existence for recording images. Unlike digital, it requires no backup schemes, and people 100 years from now won't have to resurrect obsolete computer systems in order to access the original files -- assuming they haven't been corrupted on whatever storage medium was chosen. No, the great thing about Kodachromes is that you can hold them in your hand and you can hold them up to a light source and view the images, needing nothing more to do so than your good ol' Mark 1 eyeball. And, assuming they've been stored with some semblance of care, what you'll see will look just as good as it did the days the images were taken. There's something magical about that, which is the big reason why it should still be around.

It seems at least plausible to me that, if Kodachrome were still produced in small batches, and marketed as being the best medium in existence for color archival work, then it might gain some traction in the marketplace. There will always be a need for a color medium that can survive the vagaries of time with a minimum of fuss and upkeep, or so it seems to me.

On a personal note, my main computer recently suffered a catastrophic hard drive crash, and it had probably been a month or two since my last backup. So of the approximately 800 gigabytes of image files I had stored on it, I probably lost 10-20%. It could have been much worse, but I have only myself to blame. Nonetheless, that's somewhere around 80-160 gigs of images that are just -- gone. This is one big reason why just about anything that I'm shooting these days that is important to me, I'm shooting with film. If a superior amount of resolution is required, I shoot with one of my medium format cameras, otherwise I'll use 35mm, which can still provide excellent images with the right film and technique. But when I'm doing one of my important shoots, it sure would be nice if I had Kodachrome as a choice.
 

Paul Howell

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I may be wrong, maybe PE has a better understanding, but as I recall Kodachrome was sort of grandfathered in under EPA rules, I don't know if Kodachrome as we knew it can be restarted as some the chemistry is now banned, at least in the US.
 

CMoore

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There will always be a need for a color medium that can survive the vagaries of time with a minimum of fuss and upkeep, or so it seems to me.
But when I'm doing one of my important shoots, it sure would be nice if I had Kodachrome as a choice.
I am, kind of, surprised to read many of the negatives as well.
It's like Levis announcing they are no longer going to make Blue Jeans, and "everybody" says they will never miss the sacks of crap, button fly, 501 pants of the previous 60 years. It seems weird. :smile:

I just bought a Kodak Ektagraphic IIIe and 6 extra carousels.
My wife's daughter is having a baby girl in September, and I plan on capturing her first 4-5 years of life on color slides.
With this, we are talking about people (30 year olds) that have never experienced the joy of sitting in a darkened room, and looking at color slides on a 3 foot screen. Everyone else will be emailing them pictures to their cell phones. My pics will take a lot longer, but will be much more enjoyable...and social. They were excited to hear about my "plan".
Of course, it will not be Kodachrome. :sad:
 

SanMiguel

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I'd buy some. Not that many, since I mainly do monochrome and home process/print. But I go through a few Fuji slide films a year just for something different. I'm pretty happy with Provia, but when I look at the Kodachromes I have from the 70s and 80s they have a very nice look about them and if the opportunity arose, I'd like to see how they compare.
 
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As much as I could afford. I love that stuff and it was way more versatile than it's reputation gave credit for. Then gain I shoot for me and no one else.
 

BradS

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I'd much rather have Kodak bring back Ektachrome E100-G.
 

Photo Engineer

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There were no problems with the EPA regarding the Kodachrome process. IDK where this rumor came from!

The most archival way to store color images is by means of 3 separation B&W silver images.

PE
 

MattKing

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The only thing "special" about Kodachrome with respect to environmental concerns is that some of the issues that are involved in the manufacture of E6 films do not arise until the processing stage when dealing with Kodachrome. But the handling of those issues is relatively straightforward.
 

DREW WILEY

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I grew up in a rural mtn area where there was a TINY little store about a mile down the road. It had the only phone around - a mahogany box in the wall, with the switchboard operator is a different county across the river, a cooler for soda bottles, some jug cheap jug wine, bluejeans, dirty magazines for logging truck drivers, and .22 and 12-ga ammo. They made a grocery run to the city about once a week in a pickup. But also a few rolls of Kodachrome, and even way out there, the processed slides would be back in a week. Just something we took for granted. Sun came up in
the morning, every day. Kodachrome would be around forever.... well, another asteroid collided with earth ...
 

Chan Tran

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If Kodak were to reintroduce something I wish they reintroduce Ektachrome rather than Kodachrome. I just need some good slide film.
 

Paul Howell

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If Kodak were to reintroduce something I wish they reintroduce Ektachrome rather than Kodachrome. I just need some good slide film.
Good point why wish for something that is near impossible to make when we can wish for something this very possible.
 

ColColt

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Kodachrome was the firsy film I ever shot when I got my first camera and I shot untold rolls of it. I have quite a few Kodak carousels full of it and they look as good now as they did when I first had them developed. I need to break out the projection screen and fire up the slide machine and look at them again. Many date back to the mid and late 70's.

Kodachrome was always sent to a lab 'a long way away.' Difference was, you'd drop the rolls off at your local camera shop and pick them up there several days later. It was all behind the scene to the photographer.

"a long way off" when I took my rolls to the local camera store was Rochester. They were sent to Kodak and a few days later I got them back...all for about $3.50 per roll. Say what you will be I think now as I did then, it was the best color slide film they made.
 
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