25 foot length would require a processor.
It could be done in a bucket. I think some folks do it that way.
I have no idea what's on it or if it has even been exposed
Wonder how that is practically accomplished?
It's just a crude approach
Being unfamiliar with old 8mm, but I wonder; isn’t the spool inside the can light-proof?
A bit like 220 film, with paper in each end - and wouldn’t there be some sort of indication on the end paper strip that it would have been exposed?
Take a few buckets and a few liters of developer. Turn off lights. Dump film into bucket. Slosh around. After x minutes, transfer film to second bucket with water and some cleaning vinegar. Then into third bucket with fixer. Not rocket science; it's just a crude approach and yes, there's a risk of damaging the emulsion in places, but hey, it's moving images so a defect on a frame here and there doesn't matter that much as it's only visible for 42 milliseconds.
So regarding original question, is there anyone who can help out the OP?
Hi folks,
Was unsure, but this felt like the best place to post this...
While rummaging through some old boxes I recently found a roll of 8mm Kodachrome II film and I'm hoping someone here has the setup to develop it for me.
I'm aware that this can only be done now in B&W and I have no idea what's on it or if it has even been exposed, so if anyone can assist I'd be grateful.
Thank you,
Bob
Take a few buckets and a few liters of developer. Turn off lights. Dump film into bucket. Slosh around. After x minutes, transfer film to second bucket with water and some cleaning vinegar. Then into third bucket with fixer. Not rocket science
With bucket large enough, 25 ft of film will squiggle freely. Wear gloves. there should be little danger of scratching film.
Ditto. No need for a cinema developing tank for a one time use. With bucket large enough, 25 ft of film will squiggle freely. Wear gloves. there should be little danger of scratching film.
Developing Kodachrome in its original, vibrant color (the K-14 process) is no longer possible. The last lab in the world to offer this service, Dwayne’s Photo in Kansas, processed its final roll in January 2011 after Kodak stopped manufacturing the specialized chemicals required.
However, if you have an old roll of Kodachrome, you still have two main options in 2026:
1. Develop as Black & White (The Most Reliable Option)
Because Kodachrome is essentially a complex black-and-white film with color dyes added during the (now extinct) development process, it can still be processed as high-quality black-and-white negative film.
- Film Rescue International: They specialize in "lost" and expired film. They can develop Kodachrome into B&W and even offer a digital colorization service to approximate the original look.
- Blue Moon Camera and Machine: Known for their expertise with vintage formats, they offer B&W processing for Kodachrome.
- Process One: They offer dedicated services to turn old Kodachrome rolls into B&W negatives.
2. Specialty "Rescue" Labs (Experimental Color)
A few specialized labs have developed proprietary methods involving high-end scanning and AI-assisted color restoration to try and "bring back" color from Kodachrome.
- Andrew’s Analog Service Center: As of 2026, they offer a specialty service using a process they call PhotoFlux. They claim to be able to restore color to old Kodachrome and C-22 film stocks, though they note it is a blend of chemistry and digital reconstruction.
Important Things to Know Before You Send It
Pro Tip: If you decide to develop it yourself at home, you must manually remove the black rem-jet backing using a baking soda bath before or during development, or you'll end up with a mess of black soot.
- No Guarantees: These films are often decades old. Heat, humidity, and radiation (X-rays) can degrade the hidden images.
- Rem-Jet Backing: Kodachrome has a black "rem-jet" layer that most modern labs cannot handle. Do not send Kodachrome to a standard 1-hour lab or a typical local lab; the rem-jet will ruin their machines and your film.
- Cost: Expect to pay significantly more than standard development (usually $20–$40 per roll) due to the manual labor involved.
Would you like me to find the current mailing address or pricing for one of these specific labs?
If you use the rough "bucket method", you’ll need two buckets - one for the developer and one for the stop bath. In the dark, first unwind the film into a "ball", trying not to scratch it too much and not to crease it. The goal is to immerse it all at once so that development is as even as possible. Use long rubber gloves. Gently "massage" the ball of film in the bucket - on the one hand, there's the risk of damaging the emulsion too much (some damage is inevitable), but on the other hand you need to avoid layers sticking together and preventing the chemistry from penetrating. Once the development time is up, quickly transfer the film to the stop bath, and after about 30 seconds you can continue in the light.
The film will look very dark. After fixing, take a large container of water and carefully remove the remjet backing with your fingers. If your developer had a sufficiently high pH, it should come off easily.
After removing the remjet, the film will again look opaque and very dark. But if there is an image, it will be visible. This film, similar to Ektachrome, has a special AHU yellowish opaque layer, which in the normal process would be removed during the bleach step, but you can't use that step here. However, you can use a special bleaching bath after fixing - sodium thiosulfate and citric acid…
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?