Dave, any chances in the future to get bulk rolls Ok unperforated 35mm or 16mm P30? I would work fantastically as double 8mm film stock! (Already perforated 8mm film would be ideal, but I guess it is low on the priority list)
In fact, because "regular" 8mm film is infinitely easier to produce, it's likely that we will produce a small batch to release alongside Super 8 - just to see how it goes. We have already had a conversation about this as a future prospect because there are so many working 8mm cameras out there that are currently performing decorative duties on fireplace mantles and side tables...
Me too - and it suits that one, but wanted to make sure I provided clean scans. Thanks.I wasn't complaining at all... I love grain.
In fact, because "regular" 8mm film is infinitely easier to produce, it's likely that we will produce a small batch to release alongside Super 8 - just to see how it goes. We have already had a conversation about this as a future prospect because there are so many working 8mm cameras out there that are currently performing decorative duties on fireplace mantles and side tables...
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I was surprised with just how "Alpha" this film is. Right down to the repurposed film cassettes...View attachment 183422
Sounds great. Do you have the capability to make Regular 8 Spools, (or at least the tooling to send to a plastics plant)?
Is the expectation that the P30 can be reversal processed in Regular 8? And does this mean that 16mm is also on the near term agenda? (so many questions, Someone of facebook was wondering this week when you guys will have P30 in 400FT BH1866 rolls for Movie making)
Please say you'll do 120 and large format sizes. I realise you'll need a different base for them but I would love some. I don't shoot 135 nowdays but I love the way P30 looks.
Also, please think about a real infrared film (not an extended red one, we currently have one from Ilford and somewhere between two and four from maco, depending on who you ask).
Sorry for the off-topic.
I'd guess it's been pushed a bit and sits on an indefinite timeline. At least P30 is helping figure out many other production aspects and helps polish the line for the more complex E6.Nobody knows when the E6 films will be ready?
Please say you'll do 120 and large format sizes. I realise you'll need a different base for them but I would love some. I don't shoot 135 nowdays but I love the way P30 looks.
Also, please think about a real infrared film (not an extended red one, we currently have one from Ilford and somewhere between two and four from maco, depending on who you ask).
Sorry for the off-topic.
I think that if Ferrania had any news to announce on E6 it would have chosen it's yesterday's post to do so. It may be adopting a "least said soonest mended" approach so that when we hear anything it will be deliverableNobody knows when the E6 films will be ready?
Please say you'll do 120 and large format sizes. I realise you'll need a different base for them but I would love some. I don't shoot 135 nowdays but I love the way P30 looks.
Also, please think about a real infrared film (not an extended red one, we currently have one from Ilford and somewhere between two and four from maco, depending on who you ask).
Sorry for the off-topic.
I think that if Ferrania had any news to announce on E6 it would have chosen it's yesterday's post to do so. It may be adopting a "least said soonest mended" approach so that when we hear anything it will be deliverable
pentaxuser
Nobody knows when the E6 films will be ready?
What became clear the minute we started production of P30 was that we are still far too small to feasibly make color reversal.
Scaling up is 100% necessary at this point - and our sole focus. We are using P30 production to address this head-on, and on a daily basis..
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