pbromaghin
Subscriber
Funny, I remember last July when I suggested, in a different context, that Harman could make a C-41 film, I was lectured on its utter impossibility.
Funny, I remember last July when I suggested, in a different context, that Harman could make a C-41 film, I was lectured on its utter impossibility.
I am prepared to be astonished
But the more this goes on, and as evidence trickles through, the more I am prepared to be astonished.
What are the chances that they found, and bought, a more or less finished production facility?Certainly. I'd gladly be proven wrong.
What are the chances that they found, and bought, a more or less finished production facility?
What’s great about this thread is that no matter what happens, someone is going to eat crow on friday the first.
If they have acquired the capability to manufacture C41 film, they must have built most of it from the ground up.
They've been manufacturing C-41 film for decades.
Zero. Not just "next to zero", but an absolute, firm zero.
If they have acquired the capability to manufacture C41 film, they must have built most of it from the ground up.
I've explained in one of my earlier posts in this thread that a production facility for film is not something you box up and unwrap in a new location. It's tightly integrated with the building.
Yea, I figured the building was included in the word ”facility”. What happened tobyhe old Agfa/AgfaPhoto facilities in Europe?
AFAIK tore down and scrapped. Just like the European FUJIFILM color film coating plant.
Photographer Marcus Mcadam based in Skye (Scotland) posted a picture of his 35mm film camera stating it contains a new film from Harman he’d been sent a couple of rolls to test.
‘As you can see, I’m getting ready to shoot a few environmental portraits of a gamekeeper, to see how it handles the tones and textures of the scene’.
He covers film / analog photography in the ‘photography show‘ on youtube, but has been around long enough to remember when film was photography.
I've been noticing a few posts deleted for being "off topic". How can anything manage to be off topic in this thread?
Yes, I should have made color explicit. Sorry. One of the manufacturing challenges indeed is the number of layers. I think the emulsion technology itself and working out various complex issues related to it would be rather challenging jut as well. Some of the technology acquired in existing silver halide and chromogenic products carry over into color, but some of it is really unique. It's something that seems to be overlooked by many, with most posters who say something about the challenges seeming to focus solely on the coating process. There's so much more technology that goes into a (color) film.
I think we often underestimate Ilford's abilities in areas like controlled crystal growth technology precisely because they don't make colour products.
Sure, but my point is that a color emulsion is about so much more than controlled crystal growth. You're dealing with color filtering layers, color crossover and scavengers, color balance during processing, dye masking - there's a lot going on there that simply isn't part of any B&W emulsion. I agree that Harman's competence should not be underestimated, but I caution against overestimating it at the same time.
Year ended | R&D e'ees | Total e'ees | Assets under construction | Plant & machinery |
31/12/22 | 21 | 197 | £540,467 | £0 |
31/12/21 | 23 | 192 | £709,089 | £278,011 |
31/12/20 | 23 | 201 | £224,278 | £0 |
31/12/19 | 23 | 198 | £732,682 | £0 |
31/12/18 | 22 | 192 | £390,225 | £0 |
31/12/17 | 20 | 181 | £214,798 | £0 |
31/12/16 | 19 | 181 | £175,147 | £0 |
31/12/15 | 23 | 197 | £159,302 | £0 |
31/12/14 | 23 | 202 | £244,037 | £0 |
31/12/13 | 24 | 210 | £230,168 | £161,971 |
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