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... think very carefully about buying into the "maximize engagement" philosophy. This approach has done immense damage to society, IMO. Ultimately, I believe that the inclusion of AI imagery as a legitimate form of photography will only dilute the Photrio brand.
Indeed.
Just imagine — there are going to be people coming to Photrio because they love Ansel Adams photographs, and they will generate scores of AI generated images that emulate "Monolith, the Face of Half Dome" or the famous Yosemite Valley photo from 1935. You think real photographers are going to embrace that? I'm betting not.
Here's my next submission, titled "My Monolith. My expert print of Half Dome".
Please read my artist's journal for a behind the scenes peak at my process:
I imaged myself hiking up to the vantage point, carrying my 20x24 view camera. I imagined that Ilford made me some ULF Delta film just for me, but I imagined that it was ISO 3200 with the grain of Pan F+.
I imagined myself waiting all day for the perfect break in the clouds, because I imagine I'm a dedicated person who cares deeply about the decisive moment. I stopped down my Copal 4 to f/128, because I imagined diffraction is not a thing, and I wanted extreme depth of field with my massive imaginary 2400mm lens. I imagine that I applied the zone system perfectly. I imagined going back to my studio, where I processed the single sheet with intense focus. I imagined the development was absolutely perfectly even, so perfect that I had the best score for my inevitably perfect performance to follow.
I imagined making a contact print on a new kind of fibre paper that does not require any stop or fixer, because I imagined that I don't want to bother with it. My print speaks to craftsmanship and perseverance, and the beauty of our natural landscape. I'm also an environmentalist, so I like that this image did not require mining of silver or any chemistry, only a massive data centre and a huge power station (and I suppose rare metals for computer hardware, but whatever).
Please understand that I achieved this without having to "previsualize" anything whatsoever, as Ansel Adams had to, which I consider a huge milestone in photography.


