I have a roll in the camera right now. Will post back after I develop it.
If Ferrania has anything like a proper data sheet, I have been unable to find it. I think the document they call "FERRANIA P33 BEST PRACTICES" <https://analogfilm.space/datasheets/ferrania-p33.pdf> is about all they provide, other than the typical blurb on their website. <https://www.filmferrania.com/pages/p33>
I was hoping to process my Ferrania P33 in XTOL,but I have no idea what would be a good starting time(read on). So far, there is no data in the Massive Development Chart (MDC) for P33 in any developer.
For me, P33 is not something I want to shoot if it must metered at EI 80 -- but I am very interested if I can get results I like at EI 125-160. And for that, I feel like I'd have better luck with a speed enhancing / maintaining developer like XTOL or Ilford Microphen. If anyone has tried processing P33 in XTOL or Microphen, I'd love to hear about your results.
Ferrania does give times for P33 in Bellini Ecofilm Developer which some say (not Bellini) is like XTOL. But Ecofilm is a liquid, so obviously, it is not a strict XTOL clone.
AhHa! When I try to look up times on the MDC for Bellini Ecofilm Developer, the MDC says "Please use the times posted for Xtol with this developer." I'm going to try developing my P33 in XTOL, using the time given by Ferrania for Ecofilm (1+1) = 7:00 at 20*C.
I hope so!Let us know how it goes! I'm sure you'll be happy even at box speed. P33 performed quite well for me at box in D76.
I hope so!
But now I'm confused. In your other thread you say, "For me it's an EI 80 film, but for someone else it might not be." In that thread, it is not entirely clear which film you are referring to, but I assumed you were talking about P33...? Of couse, we know that where we aim our meters is at least as important as what EI number the meter is set to, so my number is likely to be different from yours.
And yes, I will post an update after I have seen my results.
Thank you @Nopo and @Andrew O'Neill - this is great
Andy I went through the video - many thanks (loved your choice of music!). First one comment: your shots are in the exact lighting setting I am interested in and I keep seeing the tonal rendering qualities I noticed in those shots mentioned in my post above. Encouraging! A couple of questions if I may
Many thanks and I'd be interested in your side by side comparison of FP4+ vs P33 vs Foma 200 in D76 if possible.
- I was very interested in your unfiltered P33 vs HP5+ comparison. You note an overall panchromatic rendering for both with a few differences, mainly the darker red in the P33. I notice though that your HP5+ color chart seems to be pasted in the video from another source and the 'control' tone (the black background surrounding the colour squares) is actually a very dark grey. If you equalize the 'control' for both charts, does the subtle red difference remain?
- I was interested in your comment about the swollen emulsion. I have never seen anything like it. Are there any practical consequences of this phenomenon on the image? Can this property be manipulated in any way as a further variable during development? I saw a note in the video on 'water bath' (?) if I'm correct but I don't know what you meant.
Upon reflection, Fomapan 200 has extended red sensitivity, out to about 720nm
Hi Andy, actually It doesn't - it has a pretty standard panchromatic response, very similar to FP4+, or Tri-X
Check out the Naked Photographer's spectral response comparison here
(Foma 200, slightly underdeveloped, left)
I wonder if you were getting mixed up with Fomapan 400, which is the one of the three Fomas with long reds up to almost 700nm.
ahah wow! Pretty sure it's a mistake in their pdf. That looks like a cut&paste of the Foma 400 spectral graph further shifted right!
Actually if you check the one currently online for Foma 200, on their website, the plot goes even further into the red compared to yours above.
Foma, your intern is making a mess of that Adobe Illustrator!
That's the reason why I bought the film... for the extended red
Andrew, have you had a chance to use it and compare it to other panchromatic films to see if it does have extended red?
Thanks
pentaxuser
Going back to P33, has anyone ordered directly from Filmferrania.com? I seem to be able to place an order, but it's unclear if the film is in stock.
When I check on Fotoimpex or Maco, it's out of stock.
Thank youGoing back to P33,
Some time ago, I put my name on Ferrania's list to be notified when P33 is available. On April 4, I got an email from Ferrania saying P33 is "back in stock" -- and checking their website just now, it looks like I can still order P33 directly from Ferrania at this link <https://www.filmferrania.com/it/products/ferrania-p33-135-36-160-iso>...has anyone ordered directly from Filmferrania.com? I seem to be able to place an order, but it's unclear if the film is in stock.
When I check on Fotoimpex or Maco, it's out of stock.
Not yet, but I intend to!
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