I’ve been scanning for 25 years or so, with all kinds of scanners, some professionally, and arrived at the feeling that I might not be getting the best scan sharpness. The film holders are inconsistent and kind of tinkertoy. I bought a piece of glass 8x10 and decided to shim it up from the scanner glass and reach the height of best sharpness.
I did this with 2 feeler gauge sets I bought on line, cheap. I took them apart, cleaned off the oil, and started at just under 3mm in height (approximately where the film sits with a holder), using the various gauges in combinations, two equal stacks, one on either edge of the glass, with the neg (a good grain-sturdy tri-x and rodinal neg from the 70s) with the neg in between the stacks.
The neg is taped base side to the anr glass in the rebate areas. The natural curve keeps it flat to the glass. (This also works with 4x5 and 6x6mm)
I found the height of 3.25mm was best (all feeler gauge thicknesses were confirmed with a micrometer, purchased with the feeler gauges), and that from 3.15 - 3.35 was a decent range, but 3.25 is the sharpest. It is also sharper than scanning on the glass itself. And, what’s nice - the height is the same for all formats, vs possible variation in the film holders. I made permanent spacers using 3/4” wide .0625” thick extruded aluminum strips from a hardware store, 10” long, binding up and shimming with pieces of a high quality dense digital paper stock, reaching the right thickness, including the blue painters’ tape that binds it all together. (the same tape used to hold the neg to the glass - no residue.) I place a spacer on either side of the scanner glass, 8” apart, so I can scan anything in between, format is irrelevant, and I can mount 2 4x5 negs for scanning (holder holds only one), and 4 6x6cm negs.
My approach to scanning is one image at a time, like printing in the darkroom, so I’m not looking for rapid multi frame scanning of rolls of film, but rather the best scan I can get. (Everything is black and white). I scan to tiffs, 16 bit, open in Raw from the bridge (I like the way Raw sharpens, much more sophisticated than in PShop), open and work in PShop the rest of the way. On extreme dynamic range images, I can do a second scan of highlight or shadow areas, paste in over the other scan in PShop and mask out what I don’t want from the second, although the Silverfast double scan feature for shadow areas does a great job most of the time.
Opening the tiff scan in Raw allows me to tweak the ends of the range by opening up the shadows or compressing the highlights before opening in PShop for final editing.
Alan - please notice that I'm not "just placing the film on the glass platen" but mounting it to ANR glass and elevating it to the best height by empirical testing. But you mention something I didn't know - can you be more descriptive about the "little index light holes"? I would like to check that out.
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