I did a brief search for it; I see it's mostly offered in 12 exposure rolls, in a white box with pink/red hearts, is that it?
Does it have any edge markings that tell us something what film this might be? I understand it's probably something 250D, so I wonder if it isn't 'simply' Vision3 250D The edge markings should make this clear if it's the case.
My bad, I was looking down at the pavement to get a satisfactory grey and did not notice the pink cast. It should be OK to remove with filtration but the other parts of the print will differ from C41.Alan, I take it that these latest 4 have these been developed by your Dignan process and that these are scans of the negatives Are they "straight" scans i.e. were these negatives to be darkroom printed then they'd have the same pink cast on them?
What I wonder is : Can this caste be removed with colour filtration under an enlarger or is this the crossover that koraks refers to which can be changed but only at the expense of other parts of the print?
pentaxuser
My bad, I was looking down at the pavement to get a satisfactory grey and did not notice the pink cast. It should be OK to remove with filtration but the other parts of the print will differ from C41.
The Dignan process provides all the right colors but not necessarily in the right places.
The Dignan process provides all the right colors but not necessarily in the right places
So, no edge markings on the film itself? Are the sprocket holes and film thickness the same as that of Vision3, or are they different? If they're different, they might be reconfectioning e.g. unperf 70mm film into 35mm film by slitting it and sprocket holing it.
Sounds like a lot of work, but I don't put it past the Chinese to give it a go. Those guys sure work long hours if there's any money to be made.
-an extract: "
An inactive developer bath was prepared from 12 grams of diethyl-p-tolylenediamine hydrochloride, 16 grams of sodium sulfite and water to make up a volume of one liter. A sodium bisulfite solution was added to this solution by titration until the pH of the solution was lowered to 6.5. Camera-exposed Eastman Color Posi tive No. 5385 film was then immersed in this developer solution for about 2 minutes to insure complete perva sion of the solution throughout the film emulsion lay ers. The thus-treated film, after removal of excess sur face developer solution, was then immersed, without agitation, in a strongly alkaline developer-activating so lution composed of 80 grams of sodium carbonate, 6.8 grams of sodium bromide, 1.8 gram of a gelatin hardner purchased on the market as "Eastman Gel Hardner' and sufficient water to form one liter. The film was left in this second bath for 6 minutes, then was rinsed with tap water and thereafter processed conventionally by bleaching, fixing and washing. The resulting film, com pared to identical film exposed under identical condi tions but developed by conventional commercial prac tice, was more clear and was characterized by improve ment in color fidelity and brightness. In further examples of the practice of the invention, the same exposed film, with the same immersion in the aforesaid developer and removal of excess developer solution on its surface, was treated with the aforesaid developeractivating solution by spraying the solution against the emulsion side of the film for 8 minutes in one test, and for 10 minutes in another test. The prod ucts of both tests were comparable in color fidelity and brightness to that of the first-mentioned example. The density of the film subjected to the 10 minute spray was, as would be expected, a little greater than that which was exposed to only the 8 minute spray. No no ticeable change in color balance was apparent.
I am not qualified to detect color crossover but the pic is useable for me.
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