Darkroom portraits

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Ulrich Drolshagen

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Hi Curt,
try this link Helios Fans. It describes my setup. The silencer consists of two pipes, a smaller inner pipe made of a sieve kind of material and an outer one. The space between them is filled with glass- or stone fibre. Costs about 25€ It's not that much I think. The real expensive part of the installation is the so called silentbox with the fan and of course letting it be installed by an expert. I thought of doing it myself, it's not real rocket science. But there are some pitfalls to avoid on the way to get it really silent. So it pays to let it be done by someone who knows what he's doing. The next time (which I hope will never come) I will be able to do it myself though.

cheers

Ulrich
 
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Ulrich Drolshagen

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It's only sucking the air out. In the door is a lightproof louver with a filter (material used in kitchen exhausters). There is no heat recovery. The maximum air exchange I only need for very short periods. So I could not justify the extra expense for a heat recovery.

Ulrich
 

Curt

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Ulrich, that site is great and I think I will put together one like that.

Thank you,

Curt
 

smieglitz

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Perhaps of interest to wetheads

I don't think I'll ever understand some things. I missed the Transformers toy fad by at least a decade and yet...

Here's my new darktent (aka Son of Darktent) for doing wetplate collodion work in the field. This one is slightly smaller than the last one I built and will fit in my cartop carrier (except for the legs which fit inside the car).

I added removable wheels to this one. The first image shows the box packed and ready to roll.



The wheels come off and the handles become legs when inserted the opposite way into the v-shaped channels I've built on the sides of the box. The legs/handles simply slide into the channels and abut against each other and the channel sides to support the box and facilitate assembling it into the working position. Hitch pins and carraige bolts hold the legs/handles in their various positions and make for rapid function change.



The box dimensions are 30" wide x 20" high x 10" deep. The hinged bottom front door is 14" high and when folded down forms a workspace tabletop of 24" total depth in combination with the box base. I've cut a sheet of 3/8" acrylic to cover most of the tabletop in order to facilitate cleanup and help prolong the life of the fabric. This panel is dimensioned to fit inside the box in its closed position.

The shroud is Porter's better quality nylon darkroom cloth. It is stapled to the rear wall of the box and a dowel inside a piece of similar fabric holds 3 cup holder hooks which rapidly attach the shroud to the extension dowel struts on the top front door via eyehooks. The fabric has been contact cemented in place and thin strips of material will also be cemented in place tomorrow to cover the multitude of sewing needle holes at the seams. Metal cable attached to similar eyehooks on the door and turnbuckle hooks on the other end form the upper lid support which raises the shroud above head level.



A hole with 20-degree angled sides has been cut in the bottom of the box to allow a large silver bath capable of sensitizing 10" x 12" plates to drop through and be suspended below the box when the legs are used. The tank rests on foam and felt weatherstripping to form a light baffle. The tank and the legs rest at an angle of 20-degrees as well. The silver bath can either face with the opening leaning towards the front of the box for doing large plates, or it can be turned around to point at the rear wall when doing full-plate or smaller images. (I prefer the tank in the latter position but also wanted to do big plates using it so I made the orientation reversible.)

A 4mm-thick red transparent acrylic sheet forms a sliding safelight window which can be opened for ventilation on the rear wall of the box.



Surrounding the window both inside and out are strips of Velcro to which can be attached panels of blackout curtain material that make the box suitable for loading panchromatic films into holders as well as regulating the amount of light inside the box when doing wetplates.



The shroud fits neatly inside the box for transport and I'll be adding some more hooks and bungee cords to hold the sensitizing tank box and development trays against the interior walls for secure transport.



The darkbox also sits level and can be used on other horizontal tabletops if desired. A handle allows the box to be carried by hand if desired.



I'm also thinking of adding a net suspended from the handles when the box is in the transport position. The net would be used in conjunction with the darkbox top exterior surface to transport miscellaneous supplies to location.

The final addition may be a solar-powered espresso machine.

I'm mobile...

Joe
 

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Joe, very impressive and it shows us all two important things about you, the first being your serious commitment to wet plate and the second that you have far too much free time. Seriously very well done, it looks well built/designed and I'm sure it weighs a little less than a piano. You know there's this thing called film that doesn't need a wet darkroom in the field......
 

David A. Goldfarb

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That is impressive. Next thing will be one of those self-contained camera/darkroom setups that tourist photographers sometimes use.
 

Jerevan

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Joe,

I am impressed! And the darktent has a serious glow to it, judging by the photos you've taken.
 

catem

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I finally got round to taking some pics of my darkroom - am more or less packing up for the summer holiday now, (it is just too hot anyway! O.K. only for a few hours in the morning..) so seems a good time....It's pretty boring and ordinary compared to some of the above, and fairly basic, but I'm very proud of it! I particularly like the doorway, which goes round to another doorway - had fun with that. STILL needs finishing touches (wonder if they'll ever get done :rolleyes: ).
Cate
 

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catem

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Thanks Dave As for lots of people I'm sure having my own permanent space seemed like a dream for long time....really worth it in the end, though (except it's too easy to walk away and forget about clearing up . )
Cate
 

catem

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Good aren't they? - I was thinking I might get more, I see you have a few - did you get the drawers? (but there again the space is nice - what to do.....). Have to confess my darkroom looks a good deal better than our kitchen (that's next )
Cate
 

Bob F.

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Stargazer said:
Good aren't they? - I was thinking I might get more, I see you have a few - did you get the drawers? (but there again the space is nice - what to do.....). Have to confess my darkroom looks a good deal better than our kitchen (that's next )
Cate
I have an aversion to dusting so I put everything in cupboards... Where I live anything left in the open accumulates 1/2 an inch of dust in about 12 hours - or so it seems...
 

Mark Pope

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Mark Pope's darkroom

At long last, I've gotten around to taking some up to date pics of Dead Link Removed . It's rather 'compact and bijou', but it does the job.
Now that the weather has cooled a little, I can get in there and develop some films tomorrow.

Cheers
 

Dave Miller

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Mark Pope said:
At long last, I've gotten around to taking some up to date pics of Dead Link Removed . It's rather 'compact and bijou', but it does the job.
Now that the weather has cooled a little, I can get in there and develop some films tomorrow.

Cheers

Looks very well thought out Mark.
 

Troy Hamon

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Well...my wife was heading downstairs to download a month's worth of digital images...and I suggested we run out and take a few of the darkroom so I could finally post them here. After pointing out that I never took any thought for what SHE was trying to accomplish, and only ever thought of myself, she agreed to humor me. So, without any further ado, here it is. Such as it is...obviously still working on it...

For painfully extensive background on some of what you're seeing, mosey over to the (there was a url link here which no longer exists) thread...or ask questions and I'll be glad to bore you to tears along with any other suck...errrrrmmmm...I mean...readers.
 

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gordrob

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Hey Troy that is one heck of a darkroom. I am glad you were able to post the images because I have been following your threads regarding the construction and have enjoyed them immensely. There are not many in my neck of the woods (Alberta) that have to build an outbuilding to get started withthe darkroom. Levelling the building must have been a chore just to start with.

Thanks again for posting the images.
Regards
Gord
 

Troy Hamon

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grahamp and gordrob,

It IS huge, isn't it? The reason is fairly simple...my wife wanted the studio end of things to be done out there as well so I didn't take over the living room...problem being that when I set up I stay set up for weeks, which doesn't go over well with her...

I'm still getting organized inside, but I've been doing a lot of printing lately. It is very fun to be making headway at long last on the backlog of negatives that had accumulated during the imaginary darkroom phase. I have all my cameras and photo gear of all sorts out there, as well as a lifetimes worth of unorganized negatives. I shouldn't have any trouble keeping busy.

The inside corner I didn't show is still full of construction tools, excess insulation, etc.
 

Mark Pope

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Dave Miller said:
Looks very well thought out Mark.
Thanks Dave,
I like to think so - I've managed to cram quite a bit of gear in there.
The main thing that helps is the Nova processor. At a pinch, I reckon I could use a 20X16 processor, but they are £££.

Oh for space like Troy has to play with. Sigh. Still my premium bond might have come up...
 

Dave Miller

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Nice to see all your hard work coming to fruition Troy; but it's far too clean, and tidy to be a working darkroom. I'm sure you are going to enjoy using it.
 

Dave Miller

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The Nova slot processers are a great space saving device Mark. You will just have to keep watching eBay for a 20x16, I've not seen too many drift by though.
 

rjas

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meet bartholomew

meet bartholomew. bartholomew comes from a historical line of Beseler 67s dichros, and being one of the oldest ones, he is fortunate enough to have an XL column. bartholomew just arrived in canada two days ago and has since waited in the living room while we relocated the cupboards and built a shelf for his column. bartolomew's shipper didn't do a very good job packing him so he arrived with a bunch of broken bolts, a broken foccusser knob, and some bent parts. his baseboard was cracked and warped because the previous owner had thought it a good idea for bartholomew to sit around in a moldy garage. after much grunt work and a little TLC, bartholomew was (almost) back in just like new shape and ready for a home where he would be treated with the respect he deserves. bartholomew just got mounted about an hour ago and was put through some simple motions to make sure he works alright. bartholomew needs a bit more work, some aligning, a bit of drilling in his base so his power cord is out of the way, some black stuff on the walls around him to block reflections, (any suggestions?) and some new accessories like a footswitch to turn him on and off along with a metronome so he can ditch that lame gralab 300 timer. he also needs a 6x6 negative carrier and a 35mm carrier that isn't full frame. bartholomew just got paired up with a swingin' 50mm El-nikkor f2.8n and an 80mm El-nikkor f5.6n. Due to bartholemews attachment some inches above the counter, bartholomew's smallest print is roughly a 6x9" with his 80mm lens, and his biggest print on the baseboard is just about 16x20 with the 50mm lens, but he should be able to do 20x24's if he really wants to! thats alright though, because bartholomew was always a bit more of a showoff than the others. bartholomews owner is used to using expensive and smooth 4x5 enlargers but bartholomew is pretty rock n roll so he doesn't care so much. seeya bartholomew
 

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