Yeah! Don't hide that Omega from us. You need more sink. You can never have too much sinkage.
EDIT: this was my 300th post; I am embarrassed that I didn't make better use of it!
I posted some pictures a couple of years ago of my dark/lightroom for alternative processes when it was brand new (see profile gallery). Have had a few updates to the equipment and have finally got it to a stage where I am happy with it, some pics below.
Wow. That's a beautiful space, very zen.
You have the Irving Penn portrait of Lisa Fonssagrives-Penn on the wall there for inspiration. I flew up to DC in 2005 to see the exhibit of Irving Penn's Platinum prints and it was one of the greatest art experiences of my life. There will never be another like Irving, but we can try.His book "Passage" is the most beloved in my photo library.
Splitting the large portraits thread (also, keep in mind we have a gallery category for this as well: (there was a url link here which no longer exists) ).
The original thread post below from Argentic:
Darkroom portraits
The first darkroom you build for an enemy.
The second one you build for a friend.
And the third one you build for yourself.
.
Its my 8` x 6` Shed
Here's my B/W lab - been at it for over a year - now I'm processing film again. In there you'll see the 10X10 Durst L184 with 1414 cold light, an auto focus DeVere 504 (with ZBE controller and Ilford 600H V/C head) - film processing line with nitrogen burst agitation, paper processing sink, film dryer and big custom table that folds open on one side to allow use of Seal 500TX press. I still have things to finish up on, like building a print drying rack and some duck boards for the sinks. I have a power amp for my stereo, but still need a preamp and a tuner, gotta have music in the lab.
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