(Generic, not directed at CPorter) It seems intuitive to me, but I did not see it mentioned, but when doing an exposure index test by photographing a reflection step wedge, you are basing the exposure index on 0.1 above film base plus fog plus flare right? You should have a black patch in the scene, you have been measuring that to get the baseline density along with the film base and fog right? If you subtract the density of your black patch from film base + fog that is an indicator of how much flare there is.
Mostly it's a question of knowing where the exposure should fall in order to correctly evaluate the influence of flare. ....
You can see the curve reaches a 0.1 negative density at Zone I, not at Zone I 2/3 or Zone II. Flare? Perhaps it is incorporated into the speed point, IDK, but I know what you think.
Since it is a speed test, Kodak's ISO speed of 100 was used. I'm getting full box speed with TMX and D-76 1:1.
AA contends that flare is accounted for, IDK, really. Am I drinking the cool-aid, I'm sure many will say yes. Perhaps the flare is just not as much of factor in my system as some may think it should be, IDK.
This is the method taught by Schaefer and one that is under the gun here in that it is not believed that it represents "reality". I contend that the "reality" is simply not that great of a difference.
I'd wish to know how much flare there was in the front-end of my system (Camera Flare), to know that what I might otherwise put in the N batch by meter readings could better be served by an N+1 development because the flare reduced the contrast.
What is your take on what this means and its implications?
My thought, again, is that flare is independent of the image and it has no influence on the optimum exposure.
We had a good discussion about various methods of speed determination, and in a similar manner to the way in which development (which alters contrast) does not change the minimum gradient upon which speed is based, likewise, flare does not change the minimum gradient either (it just changes contrast).
For example, you are set up to take a picture and have determined the exposure based on any method that has been already determined to give shadow detail to your liking under those conditions. Now as you make the exposure I shine a bright light at your lens, increasing your flare. I did not cause you to overexpose, and I did not cause you to underexpose. In fact no amount of exposure change in either direction can alter the effects of the flare.
What do you think?
By your manipulation of the graph, the flare reduced the contrast by reducing the density range and creating a softer negative, but I've understood this from the beginning. To reach a Zone VIII target of 1.15 neg density would require a shallower curve---that's probably not what you are looking for, IDK. But I don't pretend to follow why you drew it in between 1.6 and 1.9 on the log Exp scale.
My biggest contention in my mind (however wrong I am) is the degree to which flare affects the outcome.
That the curve, in fact, is slightly contrasty and needs to come down some to match the 2.10 log-H range to the aim negative density range of 1.20.
You're currently doing paper testing. How are you reconciling the differences in the LERs between your aim and sensitometry's? Grade 2 has an LER of 1.05 and you want to fit a 1.30 or 1.20 negative into it? If you think about it with an open mind, there's really only one conclusion that makes sense.
Film speeds would be one stop slower without flare.
I just noticed Todd/Zakia recommend using 0.04 to 90% of paper dMax. And this afternoon I noticed significant dust haze over my enlarger lens. So I may need to run another test.
Flare exposes the film but it has no image itself.
So my premise is that fog only changes the scene contrast range and has no effect on optimum exposure.
The definition of a speed increase is an increase in tonal separation in lower values.
The 18% solution sure makes sense Stephen, thanks. By the way - when or where did the K factor come in and what's its purpose. I believe it either nulls out meter flare or attempts to compensate in some other way for the difference between meter and camera flare.
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