I thought your post was clear, I just provided comment on a point that I disagreed with
In fact, Barnbaum could simply state that he opens up two stops from the ISO speed.
Agree totally. Hence my reaction to his apparent effort at "teaching the ZS"----- that's bunk.
Regarding the other discussion of zones and negative densities, of course, there is no exactness involved for the reasons you state; I'm apologetic if I seem to appear as some authority on it. Not at all and I appreciate your insight and authority. However, I believe my eyes (and my densitometer) as I do not find the density differences from the actual testing process to post-development of my negatives with regard to the "placements" I make, to be of great significance. I just cannot look at my negatives and be made to believe that something is amiss due to flare, etc......that you speak at great lengths about. I don't say and hope to have never implied that there is not a difference, I merely contend that they don't seem signifincant to me following my own ZS testing.
It kills me that some of those that have the most to say, and with GREAT authority have either never posted an image to gallery or very few. Come on let's see the rubber hit the road! Show us your chops. You say you have it dialed in, show us! Lets see some images.
It kills me that some of those that have the most to say, and with GREAT authority have either never posted an image to gallery or very few. Come on let's see the rubber hit the road! Show us your chops. You say you have it dialed in, show us! Lets see some images.
It kills me that some of those that have the most to say, and with GREAT authority have either never posted an image to gallery or very few. Come on let's see the rubber hit the road! Show us your chops. You say you have it dialed in, show us! Lets see some images.
A speed index or 'rating' is applicable only to the person using it. It is non-transferable to anyone else,
and I'd be interested to know how, in his theory, he handles the fact that all of the higher zones are pushed out on the shoulder of the curve. I watched the YouTube video in which he addresses the shadows, but the highlights are left undiscussed.
and I'd be interested to know how, in his theory, he handles the fact that all of the higher zones are pushed out on the shoulder of the curve.
And when dealing with long luminance ranges, that does not work very well either. It's a serious problem with Barnbaum's writings on exposure/compensating development. Among other things, he shows you an illustrative H&D curve that has a straight line up to something like zone 15 or 17. This is very misleading. With most films the straight line begins to shoulder around zone 12. Barnbaum repeatedly writes that you can put high values up there and then bring them down in development with compensating procedures. Well, yes you can bring them down to fit onto the paper, but they won't have any detail/texture in them because they will all have been compressed to the point little to no local contrast remains. It is not as simple as using contraction to bring high values down. This is something many new zone system users get wrong.
I think Barnbaum and Adams writings are both a blessing and a curse for newbies in printing and photography both are basicaly landscape photographers and both have a strong following.I thinks it's important to have read both Barnbaum and Adams and "forget" 90% of what's written in there. Both Adams and Barnbaum wrote about their technique that works for their style of picture making. Knowing about sensinometry and such is imho a waste of time on the other hand knowing about the results I will get if I use Film X with developer Y and Paper Z is very important just like I think that the so called previsualisation is extremely important . The technical details like how to find the correct EI for the Film, etc... is technical window dressing. Everyone should develop a personal Style copying the teachings of certain photographers might help but it can also hinder.Please take my comment as what it is a personal opinion and I don't think I have really a personal style or the authority to really comment the quality of master printers yet. Both are great printers and decent photographers.
It kills me that some of those that have the most to say ... have either never posted an image to gallery or very few.
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