Yes, this is all through an IR filter.Might want to mention, those ISO ratings are when shot through an R72 filter, right?
Do you have some Aviphot that you've shot at 25-40-100-200 through the same filter?
Scans are back, and holy crap this film is super awesome.
All taken on an RB67 with a 90mm lens and Hoya R72 filter. Unless otherwise noted, all images are IR.
Visible light, EI 200 (control, to ensure development was correct)
View attachment 407066
EI 50
View attachment 407067
EI 25
View attachment 407068
EI 12
View attachment 407069
EI 50
View attachment 407070
EI 25:
View attachment 407071
EI 12
View attachment 407072
EI 50
View attachment 407073
EI 25
View attachment 407074
EI 12
View attachment 407075
What thoughts do you guys have?
- 12 to me looks almost overexposed. But maybe that’s just me. You can see some of the shadows get crushed. There’s a bit of that with 25 as well, but to a lesser extent.
- 50 looks absolutely stunning, and I would have zero issues using this as a 50 speed IR film, but the sky isn’t quite as dark as I’d like.
- 25 seems like a nice sweet spot in my opinion.
Astrum! I’m planning on buying this film in the next bug group buy from them, probably starting in a few months.Very interesting. Where did you get the film, if I may ask?
Honestly, yes, it does kind of look like the wood effect is more prominent at lower speeds. What exactly this means I’m not sure, although my best guess is that it might be because a 720nm filter lets too much visible light hit the film. In my sleep deprived state I seem to have put that I used a Hoya R72, which is not the case, I used an equivalent filter by Zonei that blocks up to 720nm.Interesting results... Do you expect the overall Wood Effect is more prominent in EI50 (less light exposure) than E12 (more light exposure), across 3 sets of test photos? Will the high altitude of Colorado attenuate less infrared radiation so that you can use less filter factor than HOYA suggested? HOYA R72 suggests a filter factor of 16+, ie. need to add ≥4 stops of exposure.
Q: Do I expose differently at high altitudes?
A: This is another misunderstanding. Yes, the film speed does decrease as you gain altitude, but this is only if your feet are off the ground. For instance, in a plane of hot air balloon. If you are at a high altitude, like on a mountain, but your feet are on the ground, you really do not need to adjust much.
I am unsure what it is, but best guess is that it’s a Tasma stock. It’s on an extremely thin base (0.06mm) so definitely not Foma, if they ever coated aerial film, let alone IR film, this would be news to me.I wonder who makes it? As it produces good IR type photos from say 50 to 12 might it be Foma 400 IR? It wasn't clear to me from a very long thread titled: " Let me introduce you to Svema" in Jan 2023 how much Svema/Astrum is actually able to do in terms of film making
pentaxuser
This is what I thought as well, honestly. But even Aviphot doesn’t respond this well to IR in my experience, usually it tops out around EI25 and is very obviously underexposed at EI50.It's probably Aviphot, like all other repacked IR films out there.
0.06mm yeah.@MCB18 is the film base extremely thin?
I’ll have to see if I have some Foto-100 (which I’m pretty certain is Aviphot 200) lying around for a comparison.
Astrum does not coat their own films, sadly. The large film coating line has been confirmed to be destroyed as of 2022 by Russian bombings. They do have a smaller magnetic tape coater, and a whole bunch of equipment for cutting unfinished film. But at least for the past few years, possibly even before that, they have not produced any of their own film.Foto-100 should be Astrum/Tasma, not Agfa Aviphot.
Analog Amsterdam Foto100 135/36 - Analog Amsterdam
NOW100 is a panchromatic medium speed (100 ASA) black-and-white negative camera film for both outdoor and indoor usage, and CHEAP.analogamsterdam.com
Foto-100 should be Astrum/Tasma, not Agfa Aviphot.
Analog Amsterdam Foto100 135/36 - Analog Amsterdam
NOW100 is a panchromatic medium speed (100 ASA) black-and-white negative camera film for both outdoor and indoor usage, and CHEAP.analogamsterdam.com
This is correct. Foto-100, and all of its derivatives/rebrands, is almost certainly Tasma Type 25L.
The best way to tell it apart would be to shoot a roll of it alongside Aviphot 200. Type-25L has significantly higher contrast and lower IR sensitivity - but greater blue & green sensitivity - than Aviphot.
The 775nm IR film is Aviphot 80, Rollei also advertises it on their respooled Retro 80S. Aviphot 80 has extended IR sensitivity as per Agfa:
View attachment 408613
Honestly, when I started, I would have told you that this was just Aviphot 200, but I do not believe that this film that I am currently experimenting with is Aviphot. I have played with both 80 and 200 a bunch at this point, and neither give me as good of results at higher EI than this film. Aviphot 200 is very clearly under exposed when I shoot it at EI 25.
My best results on Aviphot have been with EI 12 using 200, meanwhile, with this stuff I can confidently say that EI 50 works very well. It’s very moment, I’m actually walking around my neighborhood shooting some shots at EI 50, hopefully I’ll have the film processed and scanned soon.
I would very much like to know what this film is, currently my best guess is Aviphot 400, but I just don’t know.
And I can say quite certainly it is not Tasma 25L, as 25L has a bright yellow-orange antihalation dye that washes out, similar to how Foma's green/blue washout happens, or Tasma 42L's dark olive green washout.
Astrum does sell Tasma 25L as A-2SH though, and it is a 400 speed film with zero IR sensitivity.
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