Any bulk loaders to avoid? Or best to look for?

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Moose22

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Title says it all.

I'm thinking about bulk loading. Might get 100' of HP5. Partly for savings, mostly to be able to do do shorter rolls for experimenting.

So, if I hit the fleabay, are there bulk loaders that are better? Worse? Any to really look for, or any to really avoid? Ones easier to clean and maintain? I'm willing to spend a few dollars here to get good, easy, scratch free loading and reasonable longevity since I'll be amortizing it over a few dozen rolls of film. And I don't want to buy a dud.

Figured I'd ask before I jump in on this one. Advice is appreciated.
 

abruzzi

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The teardrop shaped ones are very common, but I find them fiddly. I also hate that they make the last two frames exposed unless you use it in the dark. I have four Lloyds. Others don’t like them because the light trap is felt, so it could cause scratching, but I never had that happen. If I’m careful I can load it in a way that I don’t lose any frames to light. Those are the only two types I’ve tried.
 

Nicholas Lindan

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Some people like the Lloyd - it's certainly simple but the light trap is felt. I had mine attacked by moths. I never had one scratch the film but that is a potential problem. They are still made but it is a copy - they used to cost $7 but prices have risen since the 60's.

The Watson uses a gated light trap so nothing touches the film (except the felt lip of the film cassette you are loading) and they have a frame counter so you aren't counting the turns of the crank like you are on the Lloyd.

The Alden is better made than the Watson and has the advantage of opening up felt-less Nikon and Leica cassettes.

If you are going to be using cassettes with felt lips then can I suggest the Soviet variety. It is the one Soviet photography product that stands head and shoulders above its decadent western imperialist competition.
 
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Moose22

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If you are going to be using cassettes with felt lips then can I suggest the Soviet variety. It is the one Soviet photography product that stands head and shoulders above its decadent western imperialist competition.

Thanks for the tip. I kind of assumed I'd fish leaders out of cassettes I'm using now instead of popping the top with a bottle opener so I would have a few to get started. My F6 can be set up to rewind with the leader still out, too, so I eventually I could even have a smattering of DX encoded empties to recycle. But in truth I hadn't thought that far ahead.

If I grab more are you talking about these badboys?

https://www.ebay.com/itm/373802836749?hash=item570862a30d:g:7kkAAOSwlOdgpdxV

They look beefy. Like they're worthy of many, many reuses.
 

RAY WILSON

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I have three of the tear drop style. All bought at flea markets. Watching relevant YouTube videos illustrated that there are other styles. Who knew!

Photography class in high school, circa seventies, you had to load your own cassettes. (Bulk bought TRI-X). I do like the ability to load short rolls. Watch some YouTube videos to see the various styles….and you’ll learn the teardrop style is not favored. Walking the flea market, I’m not picky. Especially the last purchase, a buck, included some FP4.
 
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Moose22

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Them's the ones.

Cool thanks, and thanks @Old Gregg . I'll get 20 of those before I buy a bulk roll to get me started.

Interesting how much you can spend to save money... the first 20 rolls will cost at least as much as buying rolls onesey-twosey.

After that, though, $85 for 100' is maybe $5ish a roll. HP5 or FP4 at Arista prices seems worth it even if I didn't want an occasional short roll.
 

mshchem

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I've used both of these popular loaders, both work fine. Finding the right tape is tricky. I used electrical tape, that was 30 years ago. Not as many choices then. Some first aid tapes look nice.
I would like one of the Leica, work in the dark winders
 

MattKing

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Good quality masking tape has always worked well for me.
It is important to use the right amount of tape, and to make sure that the tape adheres to the back (substrate) side of the film then wraps around and adheres to a reasonable portion of the spool and then adheres to the front (emulsion) side of the film.
I like to make sure that at least 2 cm of the film - on each side - has tape adhering to it. That means that the tape can extend into the image are if it is your practice to wind film in the camera until it stops. For that reason, I load enough film for 25 shots (my personal preference) plus leader plus a short trailer, and stop at 25 on the camera's counter.
 

AZD

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The best bulk loaders are the ones with film already in them. Recently I got maybe 75 feet of perfectly usable TMAX 100 this way in a Watson. Watsons are all I’ve ever used so no comparisons, but they work fine and are commonly found for cheap. The long wasted strip is annoying and my least favorite feature, but easily solved by either switching the lights off or placing it in a dark bag before pulling the cassette into position. Green or blue painter’s tape is perfect for attaching spools without leaving sticky residue. I also use the tape for labels - blue for 100 speed films and green for 400, same as Ilford, to keep things consistent. After a while you get the whole process down to a couple minutes per roll.
 

Wallendo

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I have had good experiences with the Lloyds and Watson loaders. I have one Alden load that I find hard to use.
 

Anon Ymous

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IMHO the best ones are the AP Bobinquick - Konica Hi-Loader types, but certainly the most expensive ones, even when used they tend to get pricy.
 

mshchem

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I have a 70mm bulk loader. It's easy to use, spring clip holds the film to the spool. I will have to try the blue masking tape. I too get loaders given to me with film. I have at least 50 feet of Ektachrome SW, awful film, IMHO, but its free and I have chemistry.
 

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Of all this one I like most, maybe because of rounded corners and a match to my iPhone, not sure.

Kaiser Bulk Loader also sold under AP brand.

Kaiser Bulk Loader.jpg
 

AgX

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Unless you:
-) need a certain number of exposures in a cassette
-) want a loader for storing the bulk film
-) have not regularly darkening facilities, but still want to load a cassette at any moment

there is NO need for a loader for bulk loading.

You then better avoid any.
 
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tokam

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I have 3 in the same style as the Kaiser / AP bulk loaders - an LPL, a Konica/Minolta (newest) and a US made Telesar (my oldest and favourite from about 1980).

The LPL has a spring loaded gate lined with felt which I feel could lead to future scratching problems so this one will be sold soon.

The other two loaders have nothing that touches the film between the bulk spool and the 35mm cassette - except the lips on the cassette.
 
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Moose22

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Unless you:
-) need a certain number of exposures in a cassette

This is exactly what I want to do, as I think I mentioned.

-) want a loader for storing the bulk film

Where else do I store film I haven't yet loaded? Seems like, if I make a dozen rolls and want to save some for my short rolls, a loader might be a great place to keep that extra 30 feet nice and safe.

-) have not regularly darkening facilities, but still want to load a cassette at any moment

I have very limited space and no way of making a dark room. I don't even have an appropriate closet to darken.

there is NO need for a loader for bulk loading.

You then better avoid any.

So, it sounds like I have every reason to have a bulk film loader. Thanks for your "help" here.
 
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Moose22

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I have 3 in the same style as the Kaiser / AP bulk loaders - an LPL, a Konica/Minolta (newest) and a US made Telesar (my oldest and favourite from about 1980).

I did a quick search on that Telesar loader. The box is hilarious. Computerized bulk film loader with "computerized" in what might be the most 1980 font ever.

I'll keep it in mind. I like the idea of no felt just because it seems like it might be a pain if it does get something gritty.

I think the AP/bobinquick ones can be had new from FPP for about a hundred bucks, though I can get two or three used ones for that. Seems like there are a lot of choices with their own goods and quirks.

Thanks everyone. I'll keep my eye out, but have a lay of the land now.
 

AgX

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This is exactly what I want to do, as I think I mentioned.
Seems like, if I make a dozen rolls and want to save some for my short rolls, a loader might be a great place to keep that extra 30 feet nice and safe.

I have very limited space and no way of making a dark room. I don't even have an appropriate closet to darken.

Well, I remain offering my "help" by saying that one can just put the rest of the bulk roll in its original can. That is what I do.

To fill shorter lenghths of film into a cassette, one does not need a loader. It can be helpful though for exact numbers of frames, but even this can be managed without a loader.

If you have not even a "closet to darken" I wonder how want to get the bulk film into the loader.
 

Deleted member 88956

The whole idea of felt scratching film is not very logical as film goes through ... felt, in cassette twice, and those who save cassettes for reload make it go through 3 times when film is just drawn back out into developing reel.

I the end bulk loading is also about keeping everything as dustless as humanly possible. There should be no concerns about that particular feature of a loader, unless it was acquired with a problem to begin with.
 

AgX

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No, I did not refer to money. But you made a point.
I started bulk loading after my 4th film and back then I even did not know that something as a bulk loader existed, nor did I have a darkroom, but nonetheless all went fine. But to get to your point, back then the savings in general were greater than today. But I still bulk load and a typical saving for me is 40%. Typically I load fully or even overload.
 
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Moose22

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@Moose22 Maybe AgX meant to say that saving money is not a good reason to get a bulk loader.
[EDIT] Actually, I take this back. I looked at the current prices and wow... At my local place the Delta 100 is $10 per roll, but $90 per 100ft, that's 50% savings and a single 100ft roll will pay for the cassettes and the loader.


I don't disagree, in principle, to the money thing. I'm not doing it for that. I want to load rolls of varying length for personal reasons.

Partly this is to kill rolls faster as I don't always shoot 36 all at once and sometimes the camera stays loaded for a couple weeks, though. And it is partly for experiments where I want to do something then experiment with development -- not for art, I'm not going to be Ansel Adams with an F2 and a $100 lens, it's just because I want to learn about the whole process. And to learn you do. But 36 shots on a 135 is a LOT to waste doing something like taking a high contrast scene and pulling, or test doing stand processing, or whatever. I can get the point in 12 shots, do a second roll of 12 shots normally at the same scene, compare the results, etc and not waste film.

I can probably do this experimenting in 120 as well, 9 or 12 frames is not too much, but I have decided to experiment with 135 for now and save the 120 for keepers.

Those personal reasons aside, HP5 is 85 for 18 rolls bulk, and it's $8 a roll at B&H right now. 85/18 is about 4.75 a roll, call it $3 difference to make it easy. $54. The first bulk roll pays off the loader and some of those metal cartridges I bought, the second roll pays for the rest of the loading supplies. After that I'm saving a few dollars a roll. Since I'm shooting Delta at the moment (I'm not married to it, I was just shooting one stock while learning xtol) I could do an $85 roll of FP4, learn to love it instead of Delta, and save quite a bit. Delta's getting spendy. Even the bulk rolls are $105 at most places, so the difference is still about $3 a roll bulk loading, but FP4 bulk loaded is a lot cheaper than what I'd pay for Delta by the roll now.

$3 is not enough to matter in real terms, but 2 or 3 bucks is 2 or 3 bucks. Between that realization and the "I'll never use all this xtol" that cost me $12 to mix up, it removes a psychological barrier that keeps me from burning through film to try something. Now , in my mind, it's "6 bucks a roll developed." Or "it's only 12 shots, let's try something a little out there". The developing was the bigger savings, by far, but I'm still excited to experiment some with the short rolls on the (relative) cheap.

back then the savings in general were greater than today.

I have learned that it was a LOT more of a savings, even relatively recently. I found more than a few threads from 5 years ago or more when searching for info here.

Oh well. I missed the less-expensive boat on some stuff. But I am here now and enjoying relearning this stuff.
 
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Moose22

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There should be no concerns about that particular feature of a loader, unless it was acquired with a problem to begin with.

That's what I worry about if I get used. Probably don't have a reason to worry, I've never used one, but I read the internets and the internets is good at making us worry about things we don't actually have experience with.

Dust is the bane of my existence when scanning, too.
 

ic-racer

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I got an Alden like this back in 1975 and still use it for every 35mm roll I shoot. I think the Alden is one of the best ever made.

Alden_AL200_200_Professional_Bulk_Loader_1447.jpg
 
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