People who graduate from Ivy League schools get opportunities that other graduates do not. First of all companies hire them because having them in the company gets the company opportunities the company would normally not get, because of the prestige and who the employee knows. Second the Ivy...
I strongly recommend that you have it repaired before you do anything else to the camera and lens. You perhaps should send it back to the manufacturer.
Look at the part that uses the diameter of the film left to determine the frame number. The frame number and frame spacing are dependent on that. I cannot help you more than that.
If one has the skill to fix cameras, welcome to it. I will only work on my Graflex Model D because a retired Graflex-Graphic repairman taught me how to repair the shutter, but even on that camera I will send it out for anything else.
I started with this and I still do it most of the time.
For 35mm I have a 20mm to 35mm Nikon AF zoom, 28mm to 200mm Nikon AF zoom, 28mm to 300mm Tamron AF zoom, 20mm AF Nikon, 28mm Nikon PC, and a 50mm Nikon AF lenses.
I use the wide angle and very wide angle lenses to capture the composition...
No, not for contact prints. I know the exposure for that. I make test strips for the negatives that I want to enlarge, if necessary. [Edit: For all film sizes]
When I said it, I got flack. Alan agrees with me and someone else said that if my repairman had not said that, that I should change repair man. The SL66 has some great features but it is not the camera for the post digital apocalypse.
When I earned my master's degree I bought a 35mm lens and a 70mm to 207mm zoom. I soon found the 35mm lens was too close to the 50mm lens and I traded it in for a 38mm lens. A year or two later I bought a 21mm lens. I knew that the choice of lens moved the subject closer or further from the...
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