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I was not familiar with Sebastião Salgado. His work looks quite interesting. RIP.

Avoiding the question of the breakdown between film and digital, I wonder about photographs taken for serious photographic work versus casual photographs such as snapshots.

For black & white films the contrast can be controlled by using color contrast filters such as yellow, orange, green, blue, red and polarizer filters.

FreeStyle has plastic containers that hold 120 and 220 film. https://www.freestylephoto.com/112086-Japan-Camera-Hunter-120-Film-Hard-Case-Olive-Holds-5-Rolls-of-120

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Nicely done infrared photograph.

Never force anything/ Always check the camera and lens manuals and instruction. Take it to a local camera shop if one still exists in your area. If necessary ship of KEH.com, if you are in the US or other camera repair facility.

One this topic we are in violent agreement. I have designed and developed very successful large scale AI projects and what is seen by most of AI has not been developed with guard rails and little thought to the ramifications of the suit of "learning examples".

Mamiya C family of the TLR have a marker that shows the parallax compensation.

A quick search of the internet will show that each film is different and each photographs differently with different filters.

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Great news! Winston Churchill photograph returned.

Consider using an Orange filter too for the black & white film. And a polarizer for black & white and color film.

Welcome to Photrio! Have the camera checked out at a camera store if there is still one near you.

Welcome to Photrio!

That is an interesting way to use spare parts and keep oneself busy.

It might be a bit hard to shoot Tri-X 400 in 4"x5". Ilford HP5+ might work out better.

Photographs would be enlightening.

My tank will take a maximum of 500ml, but I keep the replenished XTOL in 1 liter bags to maintain a good consistency.

For 35mm I use a 28mm to 300mm AF zoom lens and a 20mm to 28mm AF zoom lens. For medium format 6x6 in 120 film I travel with the Hasselblad 903 SWC 38mm lens, 50mm lens, and the 80mm lens.

Thank you for posting. Very informative.

Take Rollei 400 IR film with a R23, R25, R27, R29 or R270 filter or two.

The market became small and continues to shrink in size. There is not enough business to encourage further investment.

badgergraphic.com

Take the steps that Adam W suggests. Then if that does not work, call Epson Technical Support for help.

The arm should also set the frame number to '0', although I have a few film backs without '0' and have a ' ' [blank] instead.

I would expose normally and use the standard development for the first roll. Then vary as needed depending on the results.

I prewash color print film and black & white film to avoid streaking and uneven development.

I tend to do more black & white development than color with the Jobo processor because I do not like having to print each color photograph. I would rather send it out and not save up rolls of color film to process. Welcome to Photrio!

I took @MattKing advice several years ago and bought one of these. I have never had a problem with them.