Autochrome.
Grains are from 5-10 microns, 1700-2500 grains per linear inch
Dufaycolor.
Spacing of red lines = 533 lines per inch.
Finlay.
240 filter squares per square inch
Thames Screen Plate.
Each circle was 1/400 of an inch wide
No potato starches, nothing primitive like that. Note that I said Autochrome-like... all I mean by that is a red, green & blue screen. Though I do like the gem stones idea! How 'bout ruby, sapphire and emerald? That will be reserved for the professional line.
Reading J.S. Friedman's History of Color Photography and the chapter on formation of screen-plates will give you some idea of the innumerable ways people have proposed to do this before. And then there's E.J. Wall's History of Three-Colour Photography...
All I'll say at present is that it's a "classic" method, though never used in a product as far as I know.
I personally have no interest in an inkjet screen, but I'd support anyone working on that.
It is indeed years that I'm trying to devise a method to create a home-made Autochrome plate.
inkjet inks could be used provided that they stay put during processing.
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