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It doesn't play for me embedded, but if I navigate in a new window to the video, it does work, using this link.
The question that this situation tends to bring up with me is what to make of the implicit assumption that survival of the firm is the most relevant factor to consider in industrial evolution. Kodak and Fuji followed different paths, and in keeping with Japanese business culture, Fujifilm as an entity (or rather, a complex, interrelated mass of entities) remains active, while still remaining recognizable as a brand and a business (even though they don't use this brand name in most applications). Kodak, on the other hand, performed a corporate strip-tease act that fits very well in Anglo-Saxon business culture and while what remains of Kodak today has very little to do with what it once was, its technology has spun out in different areas - some more successful than others.
What I have not seen to date (but it's probably there in the business literature) is a decent comparison of the total annual revenues, employment, net profits of the Fujifilm conglomerate vs. all businesses that originate in Kodak. Such a comparison is of course very difficult to make as it's inevitably 'contaminated' by all sorts of external influences. But it's societally a much more relevant comparison than the question what remains of a specific legal entity today. Yet, 'we' (us photographers, but also business researchers) tend to focus on Kodak vs. Fujifilm as business entities, and that brings severe methodological and practical problems with it.
Kodak spun off side businesses like Eastman Chemical back in the 80's didn't they?
Can anyone compile a list of companies that started with Eastman-Kodak who are now independent?
Kodak spun off side businesses like Eastman Chemical back in the 80's didn't they? As far as I know they're quite successful. Can anyone compile a list of companies that started with Eastman-Kodak who are now independent?
I call it "Sears Disease" -- it hits many companies who have a legacy of doing One Big Thing. As that thing fails, they sell of the profitable parts of the company in failed attempts to shore-up the failing core. When the founders do it, it's maybe ego and personal identity -- when later execs do it, it's usually because the business was so successful as they rose throough the ranks that they never really learned in a challenging context (e.g. Sun Micro)
And yet, as of today, who is making more photographic film? Wasn't Kodak recently making a film sold by Fuji as Fujifilm?
People simply don't think Kodak can make good cameras.
Fuji may be the last-man-standing when it comes to silver based color paper and chemicals, they claim to have committed to that - Sino Promise appears to be leaving that market.
Fujifilm seems to find it necessary to outsource color film production due to challenges with maintaining qualified staff and continuous production. I just hope they manage to have their products produced to specifications like with Acros II, and not just relabeled products like is the case now.
Can I ask what has this to do with the company comparison. Kodak last made a 'good' camera decades ago.
...Anyone remember...Rekordak?...
Jon Y is his name. There is an interview here with him where from about 1.40 he explains his background. Born in US, worked in silicon valley area for 10 yrs, in tapei for 6 yrs, family background from Taiwan and Hongkong and how he got into producing the channel.I tried to find out about the person behind Asianometry, but apparently he wants to remain anonymous, identifying himself only as Jon Y. I wonder if all the stuff on his YouTube channel and in his newsletter is generated by ChatGPT?
Kodak's Microfilm division was basically eroded by Digital storage. documents that were backed up on Microfilm, gradually became digital and were and are backed up on RAID and Magnetic Tape. (Fuji still is a player in Data tape I understand) kodak ended with a business they spun off that was mostly making high speed document scanners. that busness did still sell Microfilm, But in a twist it was made for the spin off by AGFA. (who stopped selling their own COPEX Brand Microfilm in favor of making Kodak Imagelink microfilm for the spin off.)I do. My late mother was a Rekordak employee during WWII.
Kodak's Microfilm division was basically eroded by Digital storage. documents that were backed up on Microfilm, gradually became digital and were and are backed up on RAID and Magnetic Tape. (Fuji still is a player in Data tape I understand) kodak ended with a business they spun off that was mostly making high speed document scanners. that busness did still sell Microfilm, But in a twist it was made for the spin off by AGFA. (who stopped selling their own COPEX Brand Microfilm in favor of making Kodak Imagelink microfilm for the spin off.)
They ironically still call themselves "Fujifilm", but darn little of their actual film selection has survived, yet Kodak's film selection is impressive even today, and quality-wise, better than ever. Of course, film isn't much good to me unless someone else makes printing papers; and that's what Fuji and Ilford are good at, with Fuji supplying color paper, and Ilford/Harman much of the black and white paper (plus their own b&w film selection, of course). I'm also glad Fuji still has strong momentum in its other divisions, just in case they have to subsidize what little film they still offer.
I went through MILES of microfilm in my working days, all Pancro. (Kodak, Fuji or Gerveart depending on the bidder)) who knows where ADOX got that ortho stock.Today, there must still be some microfilm used for document storage. Otherwise, why would Agfa continue making an ortho microfilm product? From the ADOX Wikipedia page:
"CMS 20 II ISO 20 An Agfa-Gevaert ortho micro film converted by ADOX offering very high resolution, needing special developer to tame contrast for normal pictures."
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