Still shooting and printing for it, but the structure is there for it - "Sinister Idyll: Historical Slavery in the Modern Landscape". A volume of palladium prints from 2 1/4 x 4 1/4 film negatives of the modern landscape of places and events that reflect upon our relationship with slavery, and how the erasive function of time makes it easy to forget the nature of things we look at daily. The beginning of the series was inspired by a Civil War battlefield tour - we went to visit the Monocacy Battlefield National Park, and the guide was talking about the history of slavery on that property, and a particularly dark twist to it - the landowners, seeking to fill a market need after the importation of new slaves into the United Slates was made illegal in 1805, set up a breeding service on their property, holding 90 persons in bondage not only to provide labor to work their fields but to supply new human livestock for other owners in need. I was hearing this while standing on gently rolling hills blanketed in head-high ripe corn, puffy white clouds dotting a cerulean sky. That horrific disconnect inspired the title.