What's your latest new old camera ? (Part 2)

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cooltouch

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I've been somewhat busy lately. Shopping at shopgoodwill.com again. Sometimes you wins and sometimes you loses. For me, it was a mixed bag. Bought a Nikon FE2 with an AIs 55mm f/2.8 Micro Nikkor. Paid quite a bit for the outfit. The lens works perfectly but the camera is shot. Mechanically worn out and meter's dead. Good for parts only. Next I bought a Nikon N80 with the rare as hens teeth MB-16 battery pack. That was a good buy. Camera and battery pack are minty. And then there was the above EL2 I discussed. Finally, yesterday, a 4-camera lot I won arrived. I didn't pay much for it at all. The lot consisted of a Pentax Super Program, a Nikon FG, a Canon T70, and a Fuji STX-1n. All cameras came with lenses, except the Pentax. All cameras work, too. Whew!

I bid on this outfit mostly for all but the Pentax. Nothing wrong with it, it's just never a model that's appealed to me. I've been curious about Fuji cameras for quite a while -- heard great things about them, so I decided to pick one up. This one is a more modern one -- has the Fuji bayonet mount. A basic camera with Aperture priority AE and manual modes. Rather light and compact, but very solid feeling. I'm looking forward to putting a roll of film through it. I bought the Canon T70 because, even though I've been a Canon user for over 30 years, I've never owned a T70. The one aspect of the T70 that I find interesting, and that I want to investigate, is its partial metering mode. So I'll be trying that out. And then there's the Nikon FG. Honestly, I wanted the FG because I have an MD-14 sitting here -- I've had it for months; it came as part of another shopgoodwill package deal -- and I wanted to make sure it worked before I tried to sell it. Well, it works. So well, in fact, that I'm wondering if I should sell the FG as an outfit or piecemeal them out. So of this lot, I'll most likely be keeping the T70 and adding it to my sizable Canon FD collection, and I'll also be keeping the Fuji just because. I actually like the FG/MD-14 outfit a lot, but I also have an FE/MD12 and an FE2/MD12 and I much prefer the FE and FE2 over the FG. And now, more recently, I have the EL2, which I also prefer over the FG. So if I kept the FG, I know it will seldom, if ever, get used. So I might as well just sell it.

I'd like to state I'm quit of shopgoodwill.com for a while, but that isn't likely. I visit that place almost every day, keeping my eyes peeled for various gems that may appear.
 

Sunkenrat

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Konica Hexar AF!
 

jeffreythree

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My newest camera, a Yashica M, gave a new experience right off the bat. The advances lever disintegrated into a hundred crumbly bits like it had zinc pest. I guess it will become a custom job since the shutter and lens(1.9!) are in great shape once I free up the stiff focus, and it came with other stuff making it basically free. Hmm, a wood advance lever and veneer covering sounds nice.

Update: Yep, they used zinc for the lever and pest made it disintegrate. The front plate the lens mounts to may be zinc as well. I guess it is another thing I need to look out for in old cameras.
 
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jeffreythree

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Another one showed up today, and it is in much better shape than the Yashica. A $50 fleabay Horizont that functions fine other than a hint of light leak on one side when shutter is cocked(super bright led flashlight tested) and a busted level. The real test will be a test roll, but a dummy roll fed fine with no crunching or tearing.

DSCF2930 (600 x 450).jpg
 

cooltouch

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This thing showed up on my doorstep yesterday. It looks like a IIIa and the lens is a Serenar 35mm f/3.2. Came with a neverready case in decent shape and the case for the lens and its rangefinder. Not a rangefinder, though, is it? More of a viewfinder. The camera and lens are both in very nice shape, although the camera's slow speeds are erratic. Dunno what I'm gonna do about that yet.

canon_111a_35_serenar_1a.jpg
 

Sirius Glass

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Welcome to APUG
 

anfenglin

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I got myself a Rolleiflex Automat, the first one ever made. It looks like hell but works just fine.
Included were filters, a hood and a rolleiflash for bulbs, don't know yet what I'm going to do with it.
I put a Rick Oleson screen in it which I had lying around and that is a view to behold. It is already great in the Rolleicord but in the flex it's bright as daylight.
 

R.Gould

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Just got another Ambi Sillette complete wit color sologon 50mm and telenear 90mm, but the best part of the buy is the Color Telenear 130mm lens, complete with the 130mm viewfinder, the 130 is rarer the hens teeth, and with the viewfinder rarer than Rocking Horse droppings, this is the first 130 sillette lens that I have seen in a few years, very pleased with this, I now have 2 ambi's and a complete set of lenses
 
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I got an Ansco Clipper that uses 616 film.
 

nolanr66

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My son gave me a Yashica MG-1 rangefinder. It's a strange camera In many ways. I took it out for a stroll today and shot a roll of Delta 400 and am currently bringing my chemicals to temp to see how it made out. It has a 1/500th second shutter speed on the fastest end so I will just use it with 100 speed film after today. I do not want to add filters which you can as the light meter is on the front of the lens and any filter would be brought into the equation. It's aperture priority but you have no idea what the shutter speed is. Best guess sunny 16 and it gives a to high and to low light. I would describe it as a snap shooter with a dark rangefinder. No diopter adjustment possible which is not that good for me but I can focus it ok. The rangefinder focusing is a good system. The shutter is so quiet you have to concentrate to hear it so that you know it took a photo. Anyway it's fun because it's different then anything I have owned before. You can buy these camera's for $20.00 give or take.
 

Uncle Bill

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I have a black Nikon FE2 on the way from California.
 

HiHoSilver

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I have a black Nikon FE2 on the way from California.

I spent as much to replace the mirror foam as it would have cost to buy another. I'd do it again. 'Had this one since new in mid 80s. The shots you see on the gallery pg at the moment are all w/ my FE2. There are more costly models & other really good ones, but I've been awful happy w/ mine.
 

frank

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I spent as much to replace the mirror foam as it would have cost to buy another. I'd do it again. 'Had this one since new in mid 80s. The shots you see on the gallery pg at the moment are all w/ my FE2. There are more costly models & other really good ones, but I've been awful happy w/ mine.

You're wise to be aware and not get sucked along the latest and greatest new and improved highway.
 

Paul Howell

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This thing showed up on my doorstep yesterday. It looks like a IIIa and the lens is a Serenar 35mm f/3.2. Came with a neverready case in decent shape and the case for the lens and its rangefinder. Not a rangefinder, though, is it? More of a viewfinder. The camera and lens are both in very nice shape, although the camera's slow speeds are erratic. Dunno what I'm gonna do about that yet.

View attachment 152474

Looks to be rangefinder, has the second round window needed for the rangefinder to work, you ought see the patch in the viewfinder, as you focus is ought to move, if it doesn't move then the mechanisms may be frozen or the patch has faded over the years.
 

Theo Sulphate

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A Rolleiflex 2.8D from about February of 1956. It's now sitting alongside my 3.5F from May of 1960. I think the D models have a nice balance of characteristics: you can choose to engage the EV system or not and there's no complex linkage to an aging selenium meter (when the camera is not in use, I attach a cover over the meter to block it from light). I'm not sure why E's and F's seem to be valued more.

2.8D

IMAG6442.jpg



3.5F

IMAG5437-1.jpg
 
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A Rolleiflex 2.8D from about February of 1956. It's now sitting alongside my 3.5F from May of 1960. I think the D models have a nice balance of characteristics: you can choose to engage the EV system or not and there's no complex linkage to an aging selenium meter (when the camera is not in use, I attach a cover over the meter to block it from light). I'm not sure why E's and F's seem to be valued more.

2.8D

View attachment 153031


3.5F

View attachment 153032
Now I guess that I do not have to give you mine.
 

Theo Sulphate

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Now I guess that I do not have to give you mine.

Ha-ha! They are beautiful cameras, are they not? Aside from mechanical watches, I think few things are manufactured today that convey this level of solidity and precision.
 
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The 2.8D is next in my Rolleiflex queue. My 2.8C seems to have some issues and will need to be sent out for repair. The 3.5F Planar is so sharp that it will slice your eyeballs. I love my Rolleis.
 

Theo Sulphate

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IMAG6536-1.jpg


Pentax Auto 110 with normal 24/2.8 lens, 50/2.8 tele, 18/2.8 wide angle, and flash.

Omega Speedmaster (manual wind) provided for reference.

It's an amazing little system - a real miniature SLR.
 
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cooltouch

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I just bought a super clean Zeiss Super Ikonta BX 533/16 -- the late one with the coated lens and Synchro Compur shutter. I'm stoked. I owned one years ago and sold it during times of not enough money and too much gear. And I've missed it ever since. Anybody who's shot with a Super Ikonta knows what great cameras they are. I called my Super Ikonta my "pocket Hasselblad," which is essentially what it is. This is the seller's photo:

s-l1600.jpg


It even comes with the case and instruction manual.
 
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