What's your favourite photograph in Photrio gallery/posts?

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MattKing

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eddie

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I have many, but Thomas was always among my favorites. His work is consistently excellent. If you haven't yet, look at his other stuff.
 
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If one day Thomas visits this thread, it would be nice to know (if he remembers) the EI he used, and how he metered...
There's a little bit of a pushed look I like very much for that soft lowish light, perhaps from using box speed instead of 64-80, or possibly from the VC filter used?
A totally magical portrait. Gesture, defocusing, composition, light, It's got everything, and yet so natural.
Congratulations, Thomas.
 
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I want to show a second image I like, this time, from a technical point of view:
https://www.photrio.com/forum/threa...0-and-pushed-to-iso-1600.125631/#post-1661752
This image is one of the best sunny scene images I've seen from the point of view of perfect exposure and perfect development.
Most sunny scenes are often underexposed and overdeveloped, and for those two reasons they seldom convey the very open, sunny tone this photograph shows.
Amazing job, John.
 
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John Bragg

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Hi Juan, and thanks for the kind words. I remember taking that photograph well and I used a Nikon F90x and Af Nikkor 35-70 f2.8 D at the wide end. Exposure was 1/250 @ f8 and was determined by manual exposure using matrix metering and aiming at the side of the boat. Film stock was HP5+ @ ei200 developed in HC-110 dilution H with reduced agitation.

Lunchtime at Mevagissey. by E.J. Bragg, on Flickr
 
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Hi John, thanks a lot for your data!
That's close to three stops more light than sunny f/16 and slide film.
Gorgeous!
I have an N90s too, by the way... Very useful camera!
When I'm metering (and developing) for ISO400, I use 1/250 f/8 1/2.
Your reduced agitation and a bit more generous exposure are better!
Those skins in the shadows are amazing!!!
Have a nice weekend!
 

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If one day Thomas visits this thread, it would be nice to know (if he remembers) the EI he used, and how he metered...
.
I think that the answer to "If one day Thomas visits this thread" may be never again. I can't recall seeing Thomas for some years now on Photrio . In fact on his profile page there isn't even that part of the profile that says when he last visited.

pentaxuser
 
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Hi Juan, and thanks for the kind words. I remember taking that photograph well and I used a Nikon F90x and Af Nikkor 35-70 f2.8 D at the wide end. Exposure was 1/250 @ f8 and was determined by manual exposure using matrix metering and aiming at the side of the boat. Film stock was HP5+ @ ei200 developed in HC-110 dilution H with reduced agitation.

Lunchtime at Mevagissey. by E.J. Bragg, on Flickr
John, is your time suited for conderser enlarger, or better for softer light enlargers?
Thank you!
 

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It is really hard to choose a favorite between them, but just about any of @Cheryl Jacobs photos are worth considering.
This one is a leading candidate:
https://www.photrio.com/forum/media/superheroes.18609/
full
 

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Hi Juan. The time is 12 minutes @ 20°C and I used 8ml of the concentrate diluted to make 500ml total developer. (1:63 ratio). The agitation regime is 30 seconds initial invertions, then 2 invertions at 4 minute mark and 2 more at 8 minutes and pour out at 12 minutes. This has resulted in well developed shadows and highlights restrained enough to hold detail. Resulting negatives are scanned with Plustek scanner and Silversoft software but would easily print on a condenser at grade 2 or 3. Lately I have used Ilfosol 3 in a similar fashion and I prefer it to HC-110. Dilution is 1:9 and total development is 6 minutes @ 20°C also with 30 seconds initial agitation and 2 invertions at 2 mins and again at 4 minute mark. Pour out at 6 mins. Also I always use Ei200 for HP5+. Here is an example of how sharp this can be.

Kind regards,
John

Diggory the Heligan Scarecrow by E.J. Bragg, on Flickr
 
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I'll start with mine:
It's a medium format portrait made by Thomas Bertilsson. FP4+125 in Xtol-R.
Post #40, thread Where does FP4+ fall in for you? (2016).
www.photrio.com/forum/threads/where-does-fp4-fall-in-for-you.138018/page-2
The subject is a boy: one of the best portraits I've seen in my life, by any master.

Thank you! That's a very nice thing to be on the receiving end of, maybe the kindest comment I've ever received.

The replenished Xtol is about similar to 1+1 in activity, but speed is lost due to the bromides that build up over time in the developer. So I use Ilford FP4+ at EI 80-100. I don't know how long the developing time is anymore, it's been a few years since I consistently used a darkroom, so most of my memory of the practice has faded. Nowadays I live in an apartment, so I don't have room for a darkroom, but shoot FP4+ and Fomapan 400, processing in mostly PMK Pyro, hoping to one day be able to do some contact printing using enlarged digital negatives, a topic for a different forum.

Be well, all. Thanks again for the kind remarks! Made my day.
 
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Hi Juan. The time is 12 minutes @ 20°C and I used 8ml of the concentrate diluted to make 500ml total developer. (1:63 ratio). The agitation regime is 30 seconds initial invertions, then 2 invertions at 4 minute mark and 2 more at 8 minutes and pour out at 12 minutes. This has resulted in well developed shadows and highlights restrained enough to hold detail. Resulting negatives are scanned with Plustek scanner and Silversoft software but would easily print on a condenser at grade 2 or 3. Lately I have used Ilfosol 3 in a similar fashion and I prefer it to HC-110. Dilution is 1:9 and total development is 6 minutes @ 20°C also with 30 seconds initial agitation and 2 invertions at 2 mins and again at 4 minute mark. Pour out at 6 mins. Also I always use Ei200 for HP5+. Here is an example of how sharp this can be.

Kind regards,
John

Diggory the Heligan Scarecrow by E.J. Bragg, on Flickr
Hi John.
Is that HP5+ in Ilfosol-3?
I imagined that mix would produce more grain... Your reduced agitation works very well for tone and grain!
 
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Amazing.
Why do people say Ilfosol-3 is grainy?
And this is a negative scan...
Well, I guess it's grainy when people scan and sharpen a pushed negative! :smile:
 
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