as the Praktina FX had a [electrical] motor years before it (1954?)
The Praktina got it as early as 1953 !
as the Praktina FX had a [electrical] motor years before it (1954?)
I didn't know about the Praktina camera. Then, why was the Nikon F, which came much later, thought as the "first system camera"? The Praktina accesories look impressive for 1954!
I didn't know about the Praktina camera. Then, why was the Nikon F, which came much later, thought as the "first system camera"? The Praktina accesories look impressive for 1954!
Don't think Canon and Nikon were doing equivalents in bygone days.
The early Canons were more Leitz ones the Nikon Ikon equivalents.
The Canon LTM lenses fully compatible with Leitz the Nikons not compatible with Ikons...
The Canon P sold faster than Nikon and Leitz rangefinders together.
Some pros used a Canon P with 35mm F with 5cm...
Canon went for volume with canonets Nikon with Fs...
Both turned from cottage companies to ... The rest is history.
In April, 1946, the "Camera and Projector Committee" concluded the following :
Cameras to be manufactured by the company were:
A twin-lens reflex (TLR) camera (lens 80 mm f/3.5, using 120 format film, 6 x 6 cm format 12 frames), and
An universal type small-size camera (using 35mm(135 format) film, 24 x 32 mm format 40 frames),
Both of them were to be of the highest quality.
It was decided that the first order of priority was to be given to the TLR camera.
The design specifications of the small-size camera needed to introduce the advantages of the "Leica" and "Contax" models.
As the method of lens exchange, the bayonet fixing method ("Contax" type) was adopted for its rapid and easy attaching and detaching.
Have a look at the Exacta Varex.
Maybe the first system SLR.
But some accessories may have been introduced late, so the honour maybe better given to the Praktina.
Right. The EM and FG were amateur cameras all the way (and a heck of a lot smaller than the AE-1 cameras). My memory says they were specifically designed for woman amateur photogs, hence their diminutive size. I have both. My favorite is the EM. Even though it's very limited in controls, being basically just a P & S SLR w/ one button for back lit subjects, it's so much fun to shoot. Just focus and fire away. If you shoot Tri-X and develop in D76 you'll be "close enough" 99% of the time. Before I had to sell it, my favorite lens on the EM was a Leica R 90 Elmarit w/ an R to Nikon adapter. A $20 camera w/ a $400 lens. Worked a treat!
I suspect that Nikon figured the FGs were cutting into their "real" camera sales, so they quickly stopped making them.
Yeah, everyone wanted to stop action!I always preferred aperture priority over shutter priority but the masses wanted that shutter priority, that is until the AE-1 Program camera came out and everyone wanted Program mode.
real photographers use aperture priority for obvious reason.![]()
I didn't know about the Praktina camera. Then, why was the Nikon F, which came much later, thought as the "first system camera"? The Praktina accesories look impressive for 1954!
I worked in a camera department in Ann Arbor, Michigan from 57 - 62 and the Praktina line of cameras was very poorly marketed in the US. We had Exakta, Alpa, Pentax, Nikon and Canon camera reps calling on us (and we stocked all those cameras) but I can not ever remember any representative come by trying to sell us the Praktina line. I suspect the situation was different in Europe.
There is also the possibility that advertising of this camera brand could have been suppressed by various groups in the USA, this camera company was confiscated by the Soviet authorities from the pre-war owner Charles Noble. From memory, Charles Noble spent considerable time in Soviet concentration camps and getting him released was no doubt paramount to his family. I understand that intervention at a high level by Eisenhower led to his release.
Often it's the story behind the story that one never hears about, and if you do, the story can be so old it sometimes becomes a curiosity rather than interesting.
Mick.
I think it's likely the distributors didn't want to heavily advertise a camera made in a Communist country in the US in the 50s just after McCarthyism with somebody like Nixon as VP.
1957 was the years the Soviet sent the Sputnik in space, if it came out the West was also losing the camera race a lot of people would have felt even more unsecure.
There were all kinds of advertizing from veiling the origin, over not explicitely saying up to telling the truth.
Here a example of the latter for the Zenit from 1972 and the british market:
https://www.flickr.com/photos/ovntown/16610499629/in/pool-682685@N22
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