Diana+, Hp5+, in PMK Pyro. Then lith printed.
what was the last camera you used, last film and how was it developed
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not sure when it was exposed but It was done using cameras that took / take 35mm film
bunch of color . souped in black dust 1:5 and sumatranol made with black dust
4 rolls done 8 to go ( assorted from velvia to Portra to sensia to superia to superxp2)
bunch of color . souped in black dust 1:5 and sumatranol made with black dust
4 rolls done 8 to go ( assorted from velvia to Portra to sensia to superia to superxp2)
Andrew O'Neill
Moderator
Pan F 120, Delta 100 120, Rollei IR 120. RB67. Xtol-R.
Cambo 4x5 w/1200mm nikkor t, 4x5 HP5 developed in Microphen.
A good shot of the neighbors house. It was a test. The camera will need bracing for wind and it would help with shutter vibration. The infinity focus is about 31 inches I have enough rail to focus to 35 feet. I machined some of the parts, need to make more. There are a few photos I've had in mind for years and the lens was reasonable, less than a new 400.
My "birth year" "White Russian" Moskva 5; ran a roll of XP-2 over the weekend, and currently loaded with Ultra 400. Not yet processed; darkroom has been temporarily out of service, but will be processed in Flexicolor and EcoPro-R respectively.
Anniversary Speed Graphic, a week ago at Nijmegen's Valkhof Historic Festival.
Kodak 127mm f/4.7 Ektar, Fomapan 100 (HC-110, dil B, 5:15min, 20C, continuous agitation)
Kodak 127mm f/4.7 Ektar, Fomapan 100 (HC-110, dil B, 5:15min, 20C, continuous agitation)
Minolta SRT 101 w/ PRO400H (Expired 2007) developed normally in my 26 months old batch of Unicolor.
Guys, I'm at a complete loss right now. The film I just developed had been exposed before I shot it which is quite confusing as I clearly remember opening the sealed box. I purchased 13-14 identical sealed rolls from a second-hand store, a few years back, and never had a problem before. Ok, fine, I know what you think "Second-hand store *rolling eyes" but still, who the heck shoot a roll, put it back in the bloody box & re-seal it? What the heck is this?
Someone long lost wedding pictures have just been ruined...
Guys, I'm at a complete loss right now. The film I just developed had been exposed before I shot it which is quite confusing as I clearly remember opening the sealed box. I purchased 13-14 identical sealed rolls from a second-hand store, a few years back, and never had a problem before. Ok, fine, I know what you think "Second-hand store *rolling eyes" but still, who the heck shoot a roll, put it back in the bloody box & re-seal it? What the heck is this?
Someone long lost wedding pictures have just been ruined...
Last edited:
ART PROJECT!!!Minolta SRT 101 w/ PRO400H (Expired 2007) developed normally in my 26 months old batch of Unicolor.
Guys, I'm at a complete loss right now. The film I just developed had been exposed before I shot it which is quite confusing as I clearly remember opening the sealed box. I purchased 13-14 identical sealed rolls from a second-hand store, a few years back, and never had a problem before. Ok, fine, I know what you think "Second-hand store *rolling eyes" but still, who the heck shoot a roll, put it back in the bloody box & re-seal it? What the heck is this?
MattKing
Moderator
The box may not have been intentionally resealed.
There may just have been adhesive left on the flap, which bonded due to heat and time.
There may just have been adhesive left on the flap, which bonded due to heat and time.
I thought about it, man, what are the odds? This poor wedding photographer must have looked everywhere for this roll :-/ Also, imagine having to tell the clients that you've lost their wedding pictures?
Fortunately for me, I haven't lost anything that can't be replaced or re-shot.
I've used my Rondinax to process an 8 inches length of each remaining roll of PRO400H, and they are virgin. *Thumbs up
As for the wedding picture, they appear to have been shot in France < Here's a few pictures >.
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the last film I exposed was in a Nikon 35mm L35AF
it still has the film in it ( I think I triple exposed it )
I will probably process it this weekend.
great camera to double (&c) expose when it rewinds
it leaves part of the leader out
YMMV
it still has the film in it ( I think I triple exposed it )
I will probably process it this weekend.
great camera to double (&c) expose when it rewinds
it leaves part of the leader out
YMMV
MattKing
Moderator
Those are wonderful.
The juxtaposition of the wedding and the train is surely worthy of a Pulitzer!
"I Choo-Choo-Choose you" loll
Andrew O'Neill
Moderator
Rolleicord. Pan F, Acros. Both in D-23 1+10 with wee bit of sodium hydroxide just to see what would happen.
Anniversary 4x5 Speed Graphic, 150mm Symmar, TMax 100.
Not developed yet, but Rodinal.
Not developed yet, but Rodinal.
Nikon FG-20 w/ 28mm Series E; Vision3 500T w/ 85B filter; ECN-2
Provia 100F in Olympus OM-1n with Zuiko ± CPL and Heliopan RG715 to see what'll happen.
Intend to soup it in CS6 3 bath process with D9 developer @ 1+2 for extended latitude and warm tone - for a second time, so I'm thrilled!
Before this - Infrared 400 ± said filters that I reversed in PQ Universal.
Intend to soup it in CS6 3 bath process with D9 developer @ 1+2 for extended latitude and warm tone - for a second time, so I'm thrilled!
Before this - Infrared 400 ± said filters that I reversed in PQ Universal.
Fomapan 200, Rodinal 1+25. Here are some prints from tray, still wet
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