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what was the last camera you used, last film and how was it developed

Just used a Signet 80 with some Kodak 100 speed color film. Maybe someday I'll learn to develop C41 and see how it turns out.
 
Zone VI 4x5, Tri-x and Velvia 100. Developed by Acer's photo lab in Houston.

Kodak 2D, 8x10, Tri-X. Dveloped by Acers photo lab in Houston.
 
a bunch of old kodak polymax rc, and hand coated paper n a pentax k1000
all procesed with dektol that was a few days old and used and working just fine
 
Ansco 8x10 camera, Ilford Warmtone paper negative at ISO 3 developed in Ilford Multigrade. My first paper negative. Well, my 3rd actually but the first one that had an image.
 
A little over 3 rolls yest through a 500 cm w/ 50/80/150 lens. 2 rls Fuji 400h, 1+ on HP5.
Got first images (fuji superia) back from the resurrected Retina. 'Looks like the little shooter will do its job if I do mine.
 
hand coated paper, k1000 dektol
hand coated paper series d slr, dektol
hand coated paper, delmar box, dektol
hand coated paper, cyclone 3 dektol
( papers is with hand made emulsion )
 
Om1n + 24/2.8, delta 100 at box, d23 1:1, 10.30@20C
 
hand coated paper, k1000 dektol
hand coated paper series d slr, dektol
hand coated paper, delmar box, dektol
hand coated paper, cyclone 3 dektol
( papers is with hand made emulsion )

Excellent work John. Enjoying what you are doing on your blog.
 
2 rolls of Portra 160 @ ISO 100 and 2 rolls of Ektar 100 in 35mm at same event. Will send to 2 different labs to test development service.
 
Bulk film given to me - Kodak Plus X 125 @ 125. ID-11 12.5mins 21 degrees celsius, 1+3. As per their standard development. Nikon F100.
 
2 rolls of Portra 160 @ ISO 100 and 2 rolls of Ektar 100 in 35mm at same event. Will send to 2 different labs to test development service.

P.S.-the camera was an EOS A2 w/24-105 f/4L IS and 70-200 f/2.8L IS ll lenses.
 
Well, the approximately 10 year old HP5 Plus film did extremely well in my other RB67. The film had been sitting unused in less than ideal conditions all this time and I shot it at ISO 125 to compensate - the negatives came out fine.

Now I'm back to the F3/T MD-4 combination with some Kodak color 200 film.

It's also taken me 10 years to realize that if you use a Nikkor 28-85 AIS (manual focus) lens with Nikon skylight filter and the recommended HK-16 hood, that it vignettes heavily at 28mm. Without the filter, it'd probably be fine.

http://www.mir.com.my/rb/photography/companies/nikon/nikkoresources/zoomsMF/2885mm.htm
 
Konica Hexar AF - Kentmere 100 - HC110 1+60 8 mins
 
Quite an old Nettar, acros @ 200, caffenol cm 12m/20C.
Looks lovely hanging to dry. Amazing really, the Zeiss has got 3 speeds - 1/25, 1/75 and 1/200 - and I guessed most of the exposures.
Or maybe caffenol is a magic bullet?
;-)
 
Polaroid Super Shooter with Fuji FP-3000B. This is the very first time I've used that film; I like the contrast.
 
Two rolls of Tri-X, shot this am with my F5 and 28-70 ED, of the absolutely bulletproof fog (Tri-X @ EI 200, yielded exposures ((bracketed, of course)) of 1/30 @ F8) that enshrouded Burnaby Mountain until early afternoon.
 
Now using a Minox IIIs with Ektar 100.
 
Using fujifilm gf670 with Kodak portra 160/400. All developed at a trusted lab.

I also did shoot with Ilford FP4 125 but have yet to develop them
 
I used my Zeiss Contina to test a roll of Holga 400 film I found at the local camera store and developed it in 510-pyro, 1:500 semi stand for 45 minutes at 72F. It gave me some good shots once dry, but the film sure looked like junk when I pulled it off the reel. I think I will just stick with my usual, and cheaper, Kentmere 100 and 400 films for now.
 
A Kodak 2D 5x7 with MGWT paper negatives. Developed at the university craft studio lab in Sprint chems.
 
Out with a Nikon F5, alternating between my 17-35 ED, a 50 and an 80-200. Shot a roll and a bit of Tri-X, rated at my usual EI 200. Into the freezer when the second roll is done; development at some point in the next couple of weeks.