What stop watch are you using?

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Sirius Glass

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I use inexpensive adjustable timers I found on the internet.
 

freecitizen

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I have an ancient device called a " tape recorder ".

I made a recording of myself as a speaking stopwatch. I use it for anytime I need to process in total darkness ..... Sheet film/trays, etc

Works a treat !
 

Philippe-Georges

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For processing: a 'normal' mechanical stop clock.
For the enlarger: an electronic IFF ST2000 timer.
For shooting exposures shorter than 5 sec I count (21-22-23-24-25), longer than that: see attachment.


ZENITH.jpg


It's a 30 seconds chronometer as this is more easier and precisely to reed, it is around 50 years old and I bought it used 30 years ago.
 
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JPD

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I count the seconds in my head, but I also used my pocket watch until it was stolen from the darkroom by a nephew.
 

eli griggs

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One more option might be a Kodak elapsed time clock type mechanism, with it's simple on/off switch, to show you how much time is passing as you work, by additive movement, not by way of a subtractive countdown.

You can also use both a countdown timer as usual and time the period in total to figure out the time it actually takes to develope a roll, sheets or paper prints helping you avoid overly long sessions you don't have time for.
 

bluechromis

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Casio G shock digital watch. Minute timer app from YouTube.
 

Maris

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In the field the sweep second hand on my old mechanical Seiko 7002 does nicely. Or I count "hippopotamuses" instead of "mississippis".
The difficult bit is getting accurate 2, 3, or 4 second exposures using the B setting on a shutter. Longer or shorter is easier.
In the darkroom I use a battery powered "Talking Timer" that generates a vaguely feminine voice that counts down minutes and seconds while I work in absolute darkness.
 

eli griggs

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In the field the sweep second hand on my old mechanical Seiko 7002 does nicely. Or I count "hippopotamuses" instead of "mississippis".
The difficult bit is getting accurate 2, 3, or 4 second exposures using the B setting on a shutter. Longer or shorter is easier.
In the darkroom I use a battery powered "Talking Timer" that generates a vaguely feminine voice that counts down minutes and seconds while I work in absolute darkness.

Old fashion RR white faced dials on watches with luminous green arrows are easy to read, IMO.
 

warden

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In the field the sweep second hand on my old mechanical Seiko 7002 does nicely.

My most worn watch for the past few months. I got mine new in probably 1993 or so and it still runs great. The lume has long ago died but who cares, I love it.
 

dpurdy

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ZSD-808. Look it up. Amazon has it. Cheap as a battery, Long neck cord, lasts forever, only rarely swear at it because I forgot which side is stop and which side is go.
 

jk0592

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RH Designs ProcessMaster for film and paper development. Gralab 505 for enlarger.
 

maruti660

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Your article reminded me of the joys of reading the second hand. I also notice that you all have various methods for monitoring long exposures. I started out using my wife's kitchen timer, then my grandfather's pocket watch, but eventually I settled on alternating between staring at the landscape and the second hand on my Casio G-Shock. My method was practical but inelegant!
 

BradS

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One Mississippi, two Mississippi, three Mississippi...
 

GregY

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For film developing & printing Gralab timer. For long exposures..... stopwatch function on phone.
 
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