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What stop watch are you using?

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I use inexpensive adjustable timers I found on the internet.
 
I have an ancient device called a " tape recorder ".

I made a recording of myself as a speaking stopwatch. I use it for anytime I need to process in total darkness ..... Sheet film/trays, etc

Works a treat !
 
For processing: a 'normal' mechanical stop clock.
For the enlarger: an electronic IFF ST2000 timer.
For shooting exposures shorter than 5 sec I count (21-22-23-24-25), longer than that: see attachment.


ZENITH.jpg


It's a 30 seconds chronometer as this is more easier and precisely to reed, it is around 50 years old and I bought it used 30 years ago.
 
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I count the seconds in my head, but I also used my pocket watch until it was stolen from the darkroom by a nephew.
 
One more option might be a Kodak elapsed time clock type mechanism, with it's simple on/off switch, to show you how much time is passing as you work, by additive movement, not by way of a subtractive countdown.

You can also use both a countdown timer as usual and time the period in total to figure out the time it actually takes to develope a roll, sheets or paper prints helping you avoid overly long sessions you don't have time for.
 
Casio G shock digital watch. Minute timer app from YouTube.
 
In the field the sweep second hand on my old mechanical Seiko 7002 does nicely. Or I count "hippopotamuses" instead of "mississippis".
The difficult bit is getting accurate 2, 3, or 4 second exposures using the B setting on a shutter. Longer or shorter is easier.
In the darkroom I use a battery powered "Talking Timer" that generates a vaguely feminine voice that counts down minutes and seconds while I work in absolute darkness.
 
In the field the sweep second hand on my old mechanical Seiko 7002 does nicely. Or I count "hippopotamuses" instead of "mississippis".
The difficult bit is getting accurate 2, 3, or 4 second exposures using the B setting on a shutter. Longer or shorter is easier.
In the darkroom I use a battery powered "Talking Timer" that generates a vaguely feminine voice that counts down minutes and seconds while I work in absolute darkness.

Old fashion RR white faced dials on watches with luminous green arrows are easy to read, IMO.
 
In the field the sweep second hand on my old mechanical Seiko 7002 does nicely.

My most worn watch for the past few months. I got mine new in probably 1993 or so and it still runs great. The lume has long ago died but who cares, I love it.
 
ZSD-808. Look it up. Amazon has it. Cheap as a battery, Long neck cord, lasts forever, only rarely swear at it because I forgot which side is stop and which side is go.
 
RH Designs ProcessMaster for film and paper development. Gralab 505 for enlarger.
 
Your article reminded me of the joys of reading the second hand. I also notice that you all have various methods for monitoring long exposures. I started out using my wife's kitchen timer, then my grandfather's pocket watch, but eventually I settled on alternating between staring at the landscape and the second hand on my Casio G-Shock. My method was practical but inelegant!
 
One Mississippi, two Mississippi, three Mississippi...
 
For film developing & printing Gralab timer. For long exposures..... stopwatch function on phone.
 
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