Much of the Leica R&D budget comes from these special editions cameras. Most Leica shooters are not going to buy the special edition cameras, but do benefit from the subsidized NRE cost of the next generation camera. It's a business model that has kept them going for a long time. So, that's how I think about it. I shoot mostly with the M9, M Monochrom, and M8 these days. The M Monochrom required a sensor replacement out-of-warranty, was done free of charge. Maybe someone bought a Lenny Kravitz camera with the price of my sensor folded into it. If so- thankyou.
Chip J- you are very welcome. I think your friend will like the 7Artisans lens. Have them post here or on Leicaplace if they have any problem with it on the M3DS. The newest versions should be revised for it- as Maxwell Smart said, "Missed it by THAT much". about a fraction of a millimeter in the case of my M3DS. The mount on the digital Leica's extend from the camera, the older M3DS- the mount is almost flush, the release has a collar around it, and the button is slightly bigger.
Chip J- you are very welcome. I think your friend will like the 7Artisans lens. Have them post here or on Leicaplace if they have any problem with it on the M3DS. The newest versions should be revised for it- as Maxwell Smart said, "Missed it by THAT much". about a fraction of a millimeter in the case of my M3DS. The mount on the digital Leica's extend from the camera, the older M3DS- the mount is almost flush, the release has a collar around it, and the button is slightly bigger.
This is marketing 101. Find your market segment. Leica needed to move up market when facing with competition from Japanese camera makers who designed their products for a lower production cost. This brought them in the situation they are now. Others were not as successful (Franke & Heidecke went insolvent, Hasselblad was in trouble until very recently, etc.)
