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What films did you shoot most recently?

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Lately i've been using some Agfa Vista 200, Konica Minolta VX400, and Velvia 50/100 in the Nikon N90 and the Olympus OM-1 MD, and I just put a roll of HP5+ and Fuji Pro 160s through the Mamiya RB67
 
I shot a few sheets of expired 4x5 Plus-X that came in some film holders I bought from APUG member froboz just for fun. I had to expose at ASA 12 to get an image on them, but it worked!
 
Two rolls FP4 120 and one roll of Delta 3200 120 in studio tonight.
 
I'm beginning to use Sensia 100 and see how it compares to Astia 100F which I have used so far. I'm very fond of Astia but it is going to become an expensive relation. I'll relate after developing and scanning a decent number of rolls.

Fabrizio
 
Ilford 50, 100, 400
A couple rolls of TMax
 
...and while waiting for the 160VC to come back, I've run two rolls of Ektar on similar subjects (autumn leaves, vineyard, etc; it was the Stirling Autumn-Leaves Festival today) to compare. I'm doing a once-in-a-lifetime holiday (trans-siberian railway) later this year and expect to burn about 40 rolls of colour so I would dearly love for them to be at C-41 prices not E-6. But not unless the quality is as good...

Also shot a few rolls of TMY2@1600 for candids as well as a couple rolls of IR820. Had high hopes for one of the latter but it seems I ruined half the frames by forgetting the R72 filter. Not impressed.
 
Portra 800 and Ektar 100 with 120 film.

Steve
 
Just one roll of 35mm Fuji Superia this weekend to check out my new to me and previously un-used Ricoh KR-10x body (which has been sitting in a drawer at work for many years but was never used) with a 50mm f1.7 lens given to me by someone at work.


Steve.
 
Here are a couple shots from the latest roll.

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A roll of Supera 400 XTRA in the F, two rolls of film through the F5 (roll of Portra 400VC and roll of Fujicolor 200), and am working on a roll of NPZ 800 in the F2AS and another roll of Fujicolor 200 in the F5.

-J
 
VP126 in the Instamatic X-15F with GE Flipflash for the entire roll until I forgot to flip it over on the last shot :-(, VP620 in the Kodak Tourist, Ektar 120 in the RB67 Pro S and Ektar 120 in the Yashicaflex. All souped yesterday and today, had to mix up a new batch of Tetenal for the Ektar as the clip test came out nearly blank, so glad I did clip tests! So my first 1L did 24 rolls until it was done in 4 months, not bad at all.
 
...and while waiting for the 160VC to come back, I've run two rolls of Ektar on similar subjects (autumn leaves, vineyard, etc; it was the Stirling Autumn-Leaves Festival today) to compare. I'm doing a once-in-a-lifetime holiday (trans-siberian railway) later this year and expect to burn about 40 rolls of colour so I would dearly love for them to be at C-41 prices not E-6. But not unless the quality is as good...

Success, I think! (click thumbnails for larger)


Mind you, I got horrible pink faces from Ektar so I guess I'll just have to use it as a landscape film, sort of like a neg version of Velvia with its orange skin.
 
Very nice!
 
Shot 4 rolls of Ektar 120 lately in the RB67 and Yashicaflex, have more in them now. Here are some scans from the first two rolls, about the scan (and RA-4 print) them and the next two shortly.

Ektar skin tones look good to me, not too pink:


Halle portrait in Ektar by Harry Pulley, on Flickr


Happy Easter! by Harry Pulley, on Flickr
 
Ektar prints well to Fuji Crystal Archive as well though my expired Kodak Endura is looking too yellow, will see if I can crank the yellow filter high enough to compensate, otherwise I won't get any more Endura which is too bad as I like the surface and weight of it (the Fuji is really lightweight).
 
Shot a roll of HP5+, two rolls of Fomapan 200, a roll of PanF+ and some Portra 160NC. The Portra is going to the lab tomorrow, the B&Ws are waiting in the fridge to be souped, all in D-76.
 
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