scheimfluger_77
Member
Me 3!I too have followed Sal's recommendation.
Me 3!I too have followed Sal's recommendation.
Me 3!
Check B&H prices for Kodak bulk rolls.In all of that you haven't answered my simple question: why Kodak is pricing a bulk film roll @ 189€?
As regarding Foma: it's your personal opinion, not a fact.
Raw material increase costs are valid also for Foma...
This theread (apart from the bickering) reminds me of the need forkeeoing and maintaining user-side equipment. . When i shut down my home darkoom I abandoned the safelight as well as my excellent kindemann tanks and a very accurate 1/10 degree C thermometer.
Dear forum members and film enthusiasts,
I have very positive and encouraging news from Kodak (Eastman Kodak and Kodak Alaris) for you.
Very important:
This is official information from Kodak Alaris! It is one of the results of an important conference call of EK / KA in Rochester, KA in UK and KA in Germany.
I've got it directly from them. And I have asked for permission to publish it and they have given me the permission to publish it.
The news:
1. The global film orders (demand) for Kodak films are surpassing the current production capacity (converting / finishing) by far.
2. This is caused mainly by the general demand and market increase (film revival), but Kodak is also benefitting from film discontinuations / package option reductions and price increases by competitors.
3. There is a special problem with Kodak ColorPlus film: The demand is huge, and there are very big backorders. Currently it is impossible to get enough of the needed raw materials on the market to produce enough to get all backorders fulfilled. This situation cannot be changed in the short term. This supply bottleneck will probably last at least until summer 2020.
What is Kodak's reaction to this strong increasing demand:
1. Kodak is investing extensively / extraordinarily in new production infrastructure, which will increase production capacity significantly.
2. This huge investment is absolutely needed to get the results all customers want, but it will take time. It cannot be done "over night".
3. In the meantime Kodak is working very hard and doing all what needed to produce as much film as possible.
Some additional info from me:
- already some months ago Kodak told me that they have to run 35mm film converting in 3-shifts per day to keep up with demand
- to get the film as fast as possible into the market often air transport is used instead of shipping by ship (despite the much higher costs)
- Kodak alone has global film backorders in the two-digit million unit range
- Fujifilm has also significant global backoders, but not as high as Kodak
- both Kodak and Fujifilm already have had significant backorders last year at Photokina, and since then demand and backorders have further increased
- there are some hints from very reliable sources that Fujifilm is reintroducing a color film globally next year (but this is not officially confirmed yet).
The film revival is getting stronger.
Best regards,
Henning
Update:
I've got the information from Kodak Alaris that the special situation concerning ColorPlus 200 film (see above) will probably continue until this autumn. Demand is so high, that (quote) "as soon as one shipment is out to the distributors, we get immediately double volume of that shipment as new orders."
Best regards,
Henning
- there are some hints from very reliable sources that Fujifilm is reintroducing a color film globally next year (but this is not officially confirmed yet).
Is there already some news regarding this? Which film could this be? "Reintroducing globally" could/would mean that it is a film currently only available to the Japanese market but that has been available world wide before.
Or would it just be reintroducing any film and selling it world wide.
Anyhow I wouldn't mind Pro160NS to be for sale in Europe again.
I have shot a roll of the Industrial stuff and it indeed is a really nice product. From marketing point of view I can understand they change the name, although I like the simplicity und "mysteriousness" (at least, if you don't know Japanese) of the packaging. It would be nice to have it in Europe as well. But I can imagine given the current situation that things are slowed down a bit.Ernst-Jan,
yes, there is a (new) Fujicolor S100 film-packaging on the Japanese market. With the original "full-green" film boxes, not the white (with green letters) Industrial/Business 100 boxes.
It currently looks like (but I haven't tested it yet) that Fujicolor S100 is probably based on the Industrial 100 / Fujicolor 100 emulsion, which is probably based on the former Superia 100 emulsion (which was excellent). From a technical point of view that would be very good news, because this is really an excellent emulsion.
That name rings a bell, don't you write for PhotoKlassik too?Maybe that Fujicolor S100 is then later distributed globally as well. But so far I have not any reliable information about that. We have to wait and see (and tell our local Fujifilm representatives that we want such a film in our local markets, too).
Best regards,
Henning
To be honest, I am primarily a medium format shooter, so another 135 film would be nice, but care more about 120. So maybe it is more effective to ask the local Fujifilm representative about 160NS.
That name rings a bell, don't you write for PhotoKlassik too?
To be honest, I am primarily a medium format shooter, so another 135 film would be nice, but care more about 120. So maybe it is more effective to ask the local Fujifilm representative about 160NS.
What is the best way to get in contact with them? E-mail?
First we worried that film was going dead and the manufacturers were cancelling our favorites. Now we complain when the price goes up as they support the market.
Just be happy you have so many available today.
Yep, the posts almost write themselves!In this place people would be upset even if Kodak brought back Kodachrome, free and with free processing, with all formats up to 16x20...
So we should be grateful for the unprofessional way they conduct business? Instead of trying to build up some continuity so they don’t go bankrupt, film manufacturers are misusing the demand WE have built for them and risk blowing it all due to their greed.
Kodak is being "unprofessional" when raising prices in order to make the manufacture of Portra sustainable?? I think you'll find the cost of Kodak film in Europe to be high these days for reasons other than Kodak's pricing of it. Its all about the cost of shipping film across oceans. The same issues come into play when European manufacturers send products to the USA: they are often hard to keep in stock and the prices have gone up.
It is what it is.
What do you mean unprofessional? There are dozens of film manufactures competing with one another. That keeps prices competitive. If you don't like what one manufacturer is doing, go to another. Keep in mind, inflation is causing prices to go up with all kinds of products. I'd be more concerned with food prices as inflation pushes those up. You can't feed your family with film.So we should be grateful for the unprofessional way they conduct business? Instead of trying to build up some continuity so they don’t go bankrupt, film manufacturers are misusing the demand WE have built for them and risk blowing it all due to their greed.
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