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To quote Homer...

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wiseowl

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DOH!

After a few months enforced exile from the darkroom I finally managed to get some "red light" time. I figured this would be a good time to try out 16X12 fibre, so bought some Ilford MG.

After a few test prints I was struggling to get a decent black, and the print looked much flatter than normal. Then it hit me, I've bought Matt instead of gloss! As I said earlier DOH!

So, what, if anything can I do to improve the Dmax, (To answer the usual, it was fresh dev at 20C, and I deliberately overexposed some prints but to no avail.) The deepest black I can achieve is just a dark gray, charcoal I suppose, and I really don't like what I'm seeing. I'm very peed off with myself at the moment, £40 down the pan because I didn't read a label. Ouch!

Any and all suggestions welcome.

Thanks

Martin
 
Hello Martin,
You could try selenium toning. This usually increases Dmax.

Hans
 
Keep it and use it for people and flower subjects.
 
There are I believe in Adam's book the print some formulas for print varnish that if I remember will increase black desnity and print reflectance.

When you quoted Homer I imagine this was the Homer of Homer and Jethro fame...thats the only Homer is it not?
 
wiseowl said:
So, what, if anything can I do to improve the Dmax,

You could try waxing the surface to increase the Dmax - just like some of the platinum people sometimes do. I can't guarantee you will not end up with a waxy mess... but a smoother surface is the key to Dmax.

See the current Phototechniques mag that just came out for an explaination of Dmax and paper surface.
 
Thanks to all for your suggestions. Having lived with the prints for a day and mounted one, have had another play with it on some old portraits I think it's a look I could learn to like, for the right subjects of course. I still have a way to go before I learn to get the best out of it, but hey isn't learning half the fun.

Claire, I haven't read "Homer and Jethro", but if he ever said Doh! then that'll do for me LOL.

Cheers all

Martin.
 
hi martin

If you have matt paper no problem, Try printing a bit heavier than normal and then use bleach sepia to increase the contrast. The dry down prints look very nice and I use this combination on a regular basis.
Works very nicely with nudes, still lifes, mood images.
 
OK, now we know. You don't read Homer and Jethro. You would have seen them on screen.
 
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