I have never had this happen with either Ilford or Foma, I never used Fuji so can't comment, but certainly Foma which is the film I use most, has a completely different backing paper to Ilford/Kodak, as does Rollei, they both use the same backing paper and it feels slightly thicker, feels more like the backing paper that was used in the fifties/sixties. Maybe that is part of the problem with Kodak, just a suggestion, but could a change of backing paper to something like Foma/Rollei help with the problemI've had it happen to me once with Ilford film, but never with Fuji film, despite shooting 10 times more film from Fuji than Kodak or Ilford.
Statically speaking, for me, Fujifilm is the safest to use.
I for one need the numbers for at least 90% of my photography as I mostly use various folders. I have just 2 cameras that don't need numbers, my Rolleiflex and cord, and there are I think quite a few that use these wonderful old cameras,Too bad they don't make non-numbered rolls for those who don't need that feature. I wonder what percentage of 120 roll film users do need the numbers. Not that I want to see anyone doing without!!
...Most of what's written on the subject in these threads is unadulterated speculation, nothing more.
A good old country boy.Who came up with this system in the first place? Why couldn't 120 film have worked the same way 135 does? Not that 35mm will necessarily be forever immune to problems - we know that Kodak stopped making its own acetate support so when it eventually has to outsource it who knows what other problems might come up.
And since you're stuck with backing paper, why does it need any markings on it at all?
...I've not run one yet, but my most recent buy of TriX is in the bad batch number range -- guess I'll try one and see what happens. Henry P from B&H posted the dubious batch numbers in a thread on PhotoNet yesterday. I hope that means whatever questionable stock they may have had is expunged, although he didn't specifically say that....
I've got thirty rolls that fit within the batches that are reported to have had problems. As best as I can recall, most of them were purchased through the internet, including some through Amazon.ca. I have not yet experienced any problems myself, but I don't know that I've used any films yet from the identified batches.
I'll be interested to see how Kodak Alaris responds to the enquiry I've sent them about the films I have
areas with lots of detail will tend to camouflage the dreaded numbers.
Resend, note TMX or TMY?I mailed to mr. Mooney two days ago about a 0972 002 TMY2 batch but still without reply.
I've had a response to my enquiry to Thomas Mooney (profilm@kodakalaris.com) about the 6 un-exposed pro-packs (30 rolls) of TMY-2 that I have that fall within the batches identified as problematic.
I quote:
"As of the beginning of this year, we’ve made some modifications to the backing paper which should minimize the potential for this type of issue moving forward. The first TMY-2 product made with this paper is emulsion 0153.
Please send me your address, and I will send you six (6) replacement ProPacks of T-Max 400 spooled with the new paper."
That's great but it just seem strange to me that it all has to be done through Mr Mooney rather than through the stockist from whom the films were purchased. Maybe the amount of potentially defective films are small enough for this to be the most efficient way but if not then this represents a solution which may be known to only a few Kodak users and I am back to the kind of conclusions I drew about better short-term costs for Kodak versus longer term loss of business which may be more damagingI've now received a notification from Mr. Mooney that my film will ship today.
With so much film being bought over the internet, and frequently imported from other countries, the "stockist" isn't exactly handy.That's great but it just seem strange to me that it all has to be done through Mr Mooney rather than through the stockist from whom the films were purchased. Maybe the amount of potentially defective films are small enough for this to be the most efficient way but if not then this represents a solution which may be known to only a few Kodak users and I am back to the kind of conclusions I drew about better short-term costs for Kodak versus longer term loss of business which may be more damaging
pentaxuser
What does Mr Mooney ask for in terms of proof of purchase and does he ask for a return of the film or is it enough to be able to simply state the batch number which everyone on APUG certainly including those who haven't actually bought the affected film can now quote if so minded?
Well on APUG we are having a kind of "written" conversation with people who are in the same room so to speak and as there have been several APUGers with successful outcomes as a result of contacting Mr Mooney I thought that it might be quicker to glean what information Mr Mooney requires by asking here.Why not just simply email him and ask HIM to get accurate information rather than getting second hand (or third hand) information here?
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