To worshipers of the Church Of Rodinal
modafoto said:
I TOLD YOU SO
I've put some film through Rodinal a few years back, and to be quite honest, didn't give it all that much thought back in the day. Now after having read all the Rod-a-Hype on these forums (recently) I decided to buy another bottle & make some tests. Perhaps my testing "conditions" were less then ideal for this particular "elixir", and didn't quite do it justice. However, after comparing my results to some of the scans posted on the site, I'm satisfied with being on the right track.
Here's what the survey said:
I tested mostly HP5 & some Delta 400 - All 120 format. All my shots were portraits, (which comprise 99.9% of my work thus far) done outdoors in indirect (no blaring sun) natural/available light, and usually towards the end of the day (1-2 hrs before sunset).
Development was BOTH in Jobo, slowest agitation setting "F", AND manual processing in a patterson tank, with constant agitation during the first minute, and 5-sec each minute thereafter. I used a water bath to temper the tank when at rest.
I tested HC-110 @ 1:63, Rodinal 1:50, 1:25, and iLfosol-S 1:9. Without getting into the specifics of each and every roll tested, I'll say that what I am reporting here is the "ideal" result of every combination.
All rolls were printed for D-Max on ilford Multigard Fb Matte. Results reported are based on judging the contact sheets, tested for & printed @ D-Max (maximum black) - @ Contrast Level #2 on a Saunders VCCE 4550 .
VERDICT:
HC-110 = Garbage! (at least for portraiture). I can see how you landscape buffs must love it as HC-110 has great local contrast. Unfortunately, for portraiture, local contrast can be both a curse and a blessing - and I'm not entirely sure I would know how to put either of those into words. I guess you just have to see the negs/contact sheets. The best I could sum up is that local contrast is great in the high-density areas of the negative (aka: "Highlight Separation") and terrible when you can see each and every wrinkle in the shadows and very little sparkle in the eyes. HC-110 seems to produce the latter, and as such, is out of the game.
Rodinal: "Acceptable" but in my experience, way overhyped! Agfa Rodinal is nothing more then a nice, 'low contrast developer'. C'est tous. Contact sheets produced from HP5 developed in the "holy elixir", developed manually as well as in-jobo easily give themselves away by their low contrast, almost "warmish" look. The contacts were acceptably sharp but I've yet to remark any "razor-like" features. Rodinal stays in the game for its potential, and for the fact that its cheap, but in my experiences thus far, it takes a graceful second-place.
Ilfosol-S: Our "grand prize winner". Ilfosol produced the most sparkling eyes, milky skin tones & deep/rich blacks. It has excellent highlight separation with minimal separation in the shadows, imo, ideally suited for portraiture. The obvious drawbacks - The price tag, and from what I've been told, very very poor shelf-life once opened.
Conclusion:
I will reiterate what I said in the begining of this post: I'm sure my conditions weren't necessarily ideal. Perhaps the fact that the model I used (Mom) had overly dark features (hair/eyes) and less then fair skin made Rodi's job of redering all that more difficult.
Also, in Rodinal's defence, I will say that I'm undoubtedly biased towards Rodinal as years back, I produced a couple of prints from HP5 that were breath taking! And from memory, I believe those rolls were souped in Rodinal. Perhaps my expectations were unfair.
Lastly, the film speed. HP5 is rated at iso-400 and based on my own testing, it doesn't fall all that short of that. I've read in numerous places that Rodinal works best with slower films however, grain wasn't really a problem and so I'm not entirely sure how a slower film would improve on the shortcomings obsverved, grain not having been among these.
It should also be pointed out and reiterated that my results are entirely based on contact sheets, printed to D-Max. It not unlikely that the characteristics of my negs described as shortcomings, would in fact lend themselves quite well to the contrast control employed when enlarging a print.
Despite ilfosol's seeming "magic-bullet" characteristics, it's short comings are significant enough to keep me interested in refining my skills with Rodinal. Despite its rendition of "better" contact sheets, ilfosol's tonal range is far shorter of Rodinal's, and as such, it would seem to me that ilfosol'd negs would lend themselves poorly to producing 3-dimensional images as might be possible with Rodinal.
I plan to keep testing and would most certainly appreciate any input that might help me along.
Cheers
Daniel