No one uses that anymore-.-- . ... / .. - / .. ... / .- .-.. .-.. / -.. .. --. .. - .- .-.. / ..- -. - .. .-.. / -.-- --- ..- / --. . - / - --- / -- --- .-. . ... . / -.-. --- -.. .
How does using your grandfather's camera make your images any better?
I have an old hammer and a new hammer. They both pound nails. Using your grandfather's camera or an equivalent model off eBay makes no difference. If you have both, make sure you label them so you don't get confused. You'd hate to have a false warm and fuzzy moment.for some people i guess it does, because it makes THEM feel better but to others
they are the same pix taken with a iPhone
I asked for clarification. I didn't shout at you. You seem to have several thoughts trying to get out at the same time. Perhaps I can parse this out.
You write that thinking and perception is obviously 'closer to digital' than is film. Perception (I am assuming physical perception, since you are invoking dimensionality) by humans (and all life) is analogue. Here I am talking about our five senses and there is nothing digital about it. Even the synaptic transmission of these sensations are analogue. .
I didn't say "brains function like microprocessors" but we all know microprocessors are increasingly functioning like brains.
I didn't say "brains function like microprocessors" but we all know microprocessors are increasingly functioning like brains.
I didn't say "brains function like microprocessors" but we all know microprocessors are increasingly functioning like brains.
-.-- . ... / .. - / .. ... / .- .-.. .-.. / -.. .. --. .. - .- .-.. / ..- -. - .. .-.. / -.-- --- ..- / --. . - / - --- / -- --- .-. . ... . / -.-. --- -.. .
...
But you're correct, code is binary and can be considered digital....
The mode of code transmission is continuous wave, that means the transmitter is turned on and off to make dots and dashes. There is no carrier, it's truly binary.The dits and dahs are merely an encoded intelligence (the definition of a signal) imposed on top of an analog carrier. All radio transmission is electromagnetic wave propagation. But I know you know all this.
The mode of code transmission is continuous wave, that means the transmitter is turned on and off to make dots and dashes. There is no carrier, it's truly binary.
-.-- . ... / .. - / .. ... / .- .-.. .-.. / -.. .. --. .. - .- .-.. / ..- -. - .. .-.. / -.-- --- ..- / --. . - / - --- / -- --- .-. . ... . / -.-. --- -.. .
No one uses that anymore.
The issue for me is photography is overwhelmingly dominated by camera talk. Whether that be the latest Nikon D850 vs Sony a7III, or Nikon F2 vs Canon F-1, or Rolleiflex vs Hasselblad, it's the same conversation. While the subject is interesting, and some cameras are nicer to use than others, one camera, type for type, format for format, is almost indiscernible from another in their output. As an Ethics and Philosophy board you might imagine it to be relatively free of camera churn, but it's another place to sound off about preferences.Yes, this is true. Many of us here, though, also get wrapped up in the process and the enjoyment of that process and that's where issues such as the subject of this thread arise.
No one uses that anymore.
But you're correct, code is binary and can be considered digital.
The sort of radio the public listens to is still an analog technology
I keep getting an error message.
One form of fsk used international code, no spaces.No International Morse Code is not binary, it is tri-state dit '.' dah '-'and space ' '.
The issue for me is photography is overwhelmingly dominated by camera talk. ... As an Ethics and Philosophy board you might imagine it to be relatively free of camera churn...
I've just spent the evening in the darkroom with some 35mm negatives from 2011, and without looking at the sheets I have no idea what camera they were taken on.
...
One form of fsk used international code, no spaces.
The information content is binary, the spaces serve to make it intelligible in the case of cw transmissions.
Well okey-dokey then!You are quibbling about details and pontificating to avoid the the fact that you were wrong generally and specifically. And yes there are always variations and in this case I know more about them then you. Jus' sayin'
I am aware of these. They are only different protocols used for the same purpose, on fundamentally the same digital technology. My point was that there has been no fundamental change in how one computer connects to another halfway around the world, in the same way there has been a fundamental shift in how we create images.No "old school", eh? Young grasshopper, let me tell you about USENET, uucp protocols, and newsgroups like rec.photo.misc ...
And?...in the same way there has been a fundamental shift in how we create images.
The only point being that there is no irony in preferring film over digital, yet still using a computer to browse the internet and post on this forum, as some have attempted to smugly point out.And?
There may be irony depending on your stated reasons for choosing film over digital. There also may be irony if your preferred film camera is a Nikon F6 rather than a Kodak Bantam.The only point being that there is no irony in preferring film over digital, yet still using a computer to browse the internet and post on this forum, as some have attempted to smugly point out.
There may be irony depending on your reasons for choosing film over digital. There also may be irony if your preferred film camera is a Nikon F6 rather than a Kodak Bantam.
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