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Me too, I have never had a bad roll from Ilford or Fuji ( I haven't used Kodak in 120 in a long time), either from in date or expired film.Might sound out of tune with the rest of the orchestra, but I've never gotten a bad roll of 120 from any of them.
Yep, back when a few batches of Kodak 120 with backing paper issues got sold before that problem was known, everyone was screaming they'd never buy anything from Kodak again. Now it's Ilford's turn apparently. And Fuji barely makes b&w film at all anyone. Might sound out of tune with the rest of the orchestra, but I've never gotten a bad roll of 120 from any of them. I did have issues with the last batch of Ekfe R25, before they closed for good due to maintenance issues, but not prior to that.
So, other than a little Fuji 120 Acros still available, and a few other options offering private-label Harman made film, you've got exactly two significant parties to choose between, both blindfolded in front of the firing squad. Shoot one first, or both at the same time? Might as put a bullet hole through you're own Hasselblad or whatever; it's useless without film.
People, I've developed some Agfa film that I shot over 30 years ago that was laying in a drawer, 120 film, it came out with 0 flaws (yes base fog, ofcourse). Please let's not be fooled with the stupidity that's happening now. In the same drawer I've developed mottled 120 Ilford film, that was only a few months old. I've escalated the situation to Pemberstone group by personally emailing their CEO. This has to stop; too many good shots have been ruined!
This is what I have been harping about all along. We never had this problem years back, and if we did, I certainly never heard about it. There were thousands of rolls more shot back then per week compared to now, so I'm sure I would have heard something.
This is to Drew, I don't want to put anybody in front of a firing squad, but Harman, Kodak and the rest are the only ones that can put pressure on the backing papermaker to straighten this out. I'm sure you wouldn't say a word if you started seeing big half moon circles in the middle of each one of your precious negatives after you develop them.
People, I've developed some Agfa film that I shot over 30 years ago that was laying in a drawer, 120 film, it came out with 0 flaws (yes base fog, ofcourse). Please let's not be fooled with the stupidity that's happening now. In the same drawer I've developed mottled 120 Ilford film, that was only a few months old. I've escalated the situation to Pemberstone group by personally emailing their CEO. This has to stop; too many good shots have been ruined!
Gotta love it when people think its reasonable to make such comparisons! "It worked 40 years ago so why can't it work NOW?!" Yes, that's right; nothing changes, and nothing ever will. Supply chains and materials availability will ALWAYS stay the same! Add some entitlement FTW!
If working with 120 fomat film is so damn painful for you, then why not switch to 4x5 or 35mm?? Surely all of this pain can't be good for your creativity.
Also, folks wouldn't be so upset if these companies were “straight forward” with folks as to what the issue is or possibly could be. If these manufactures would at least say something like, "we suspect that the problem area is" people would at least have an idea that they were seriously looking into it. Instead, it makes them look like a bunch of dumb bunnies stumbling around in the dark. Or worse yet, that they don't really care.
Part of the problem Kodak had was the old style solvent based printing inks were banned due to the various toxic substances they contained, so "going back" isn't an option.All I'm saying is if you're having issues with something new, then go back to what was working before.
The printing industry took a steep nosedive when desktop publishing became to new normal.
Soy-based inks were brought in to replace high VOC inks.
Fallout from the 'digital revolution' and environmental protection.
And so it goes.
I haven't heard of CatLabs backing paper problems, but there is a lot less of that out there.
I don't think Ilford makes Arista or the rollei IR films.
CatLabs 320 Pro 120 is confectioned / converted by Harman technologies. With their same backing paper.
Best regards,
Henning
Since there's probably now only one manufacturer of backing paper.......
I have only used CatLabs 80 120. The backing paper seemed to come out of the trash bin.
Are you saying the film manufacturers are making their own backing paper or have they passed/licensed the technology to their suppliers?But the technology and know-how of that company was not lost, but sold to former customers = film manufacturers.
Are you saying the film manufacturers are making their own backing paper or have they passed/licensed the technology to their suppliers?
Yep, back when a few batches of Kodak 120 with backing paper issues got sold before that problem was known, everyone was screaming they'd never buy anything from Kodak again. Now it's Ilford's turn apparently. And Fuji barely makes b&w film at all anyone. Might sound out of tune with the rest of the orchestra, but I've never gotten a bad roll of 120 from any of them. I did have issues with the last batch of Ekfe R25, before they closed for good due to maintenance issues, but not prior to that.
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The problem isn't with the backing paper. It isn't with the ink. It isn't with the film. It isn't with the environmental factors. It isn't with the changes in retail and distribution.
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