I have 6 or 7 Zeiss Jena Tessar's all are OK, but only one is excellent.
My Crown Graphic came with a 1932 135mm f4.5 Tessar which I used for a while here in Turkey, it's a little flat contrast wise, and quite poor at the edges and corners until stopped down to f22 at which point its a good sharp lens, but just lacks the critical micro contrasts of modern Multi Coated lenses. Two other Tessars are similar and although older have a fraction more contrast, the 165mm is slightly better on 5x4 because of it's larger coverage so the fall off in sharpness is less noticeable.
However I bought a pair of coated CZJ 150mm f4.5 Tessar cells, made around 1952/4 and mounted them in a Compur 1, this is a very sharp lens, the coating is a distinctive bluish colour, the edge sharpness is passable by f11 and improves quickly at f16/22, it's as good as a late production 150mm f5.6 Xenar and not far of the quality of a Symmar or Sironar. It was made at a time when both arms of Zeiss (East &West) had been unofficially co-operating and Jena were making a few lenses for the Western arm, they had hoped the company would re-unite again.
Tessars got a bad name after WWII mainly because of inconsistent glass supplies to Carl Zeiss Jena, lens designs had to be re-optimised to suit the available batches of glass, this lead to Rollei ceasing to use CZJ Tessars because of quality problems.
There are other issue, the type of glass used in some (not all) Tessars & other Zeiss lenses changed in the 30's and doesn't seem to age well, lenses go slightly cloudy, another issue is quality control, Zeiss were making huge numbers of Tessars as Germany came out of recession in the 30's, you only have to look at the vast array of companies offering their cameras with a Tessar lens.
So Tessars (for LF) are a minefield, none are usually abysmal, most are OK/very good stopped well down, but only a few are excellent.
Then there's the Tessars for 35mm, etc
Ian