I’m liking all the replies but there doesn’t seem to be a clear consensus
...
Speed of use:
Builtin accurate meter *without* needing to use a prism with shutter priority, killer feature.
Instant mirror return and motor drive, this means i do not need to look away from the finder between shots.
All this combined allows me to work fast at people photography.
...
I’m liking all the replies but there doesn’t seem to be a clear consensus
I take the shot, the mirror flips up and continues flapping like a seagull over a plate of fries, and then the mirror breaks off....
I would suggest to the OP that he already has enough cameras.
1. Your opinion. I own several and don't find them to be either.Don't go into this system because it's only advantage of other similar systems is the black matte interior finish, best in the world, so to say.
1. Clumsy and bulky;
2. Needs some 13.4V and enough current to work Its linear and normal motors correctly;
3. Lenses are very bulky;
4. Nobody has ever seen any repair manual. Does it even exist?
5. Designed by the most stupid engineers in the world, the 120 film back possesses some sort of 1990 Artificial Intelligence. When it "thinks" the film is jammed, it starts rewinding it, instead of doing nothing. This way, you can easily lose half of the roll and make no notice of it, if you don't count the frames taken yourself.
6. Anybody noticed how bulky filmbacks are?
My 6001 has OTF light measurement, partly stolen from Olympus OM system. Of course, this is an advantage, but why do these folks call it "flashmeter"? I don't know, because it actually measures the sum of all light reaching the film.
7. Lenses are expensive and prone to catch dust and spores.
In fact, the system is unreliable, because all your backs can jam and rewind film and a simple manual alternative to this is ... unexistent.
My 6001 has a 15 pin plug at Its side, of which nobody knows nothing. No information. Something can be plugged in, but what? The guys who designed this camera really meant vengeance and revenge for something we didn't do to them ... Or else, they are carefully hiding the electric scheme of the device in order not to be laughed at...
BTW I really appreciate all the responses.
Get rid of your money before it inflates away! Ben Franklin always said "a penny saved is for suckers!"
Not when the penny is copper!
1. Your opinion. I own several and don't find them to be either.
2. So? As of today, reliable more modern battery packs rebuilds are still available.
3. The lenses don't seem to be any bulkier than other MF SLRs.
4. Before the manufacturer went belly-up a couple of times and the parts supply dried up, there were a number of technicians who repaired 6000 series cameras. I would assume they had access to a manual.
5. As I said, I have several 6008 cameras. Never had one jam or rewind--they don't rewind by the way, they just advance to the end of the roll. Maybe the early cameras had that problem. There is a gear in the back that can wear down with a lot of use, but it should last quite a while before causing problems.
6. Th back may seem bulkier than other MF SLRs, but it has a less-convoluted film path plus an ingenious built-in dark slide--nothing to lose or light seals to regularly replace.
6a. I am unaware of any flash meter that does not include ambient light in the measurement. How could a meter isolate just the flash?
7. More expensive than Hasselblad? Once again, I own several lenses, both Zeiss and Schneider and have not noticed any problems with dust or fungus.
The 15-pin plug is for an electric remote release/mirror lock-up and the Master Control that gives you additional functions such as being able to adjust the metering center-weighting, time exposures, flash control and more.
The Rolleiflex/Sinar/Leaf Hy6 is another matter altogether. Lighter, more sophisticated and compact, a joy to use when everything functions. Unfortunately it is close to unserviceable due to lack of parts and technicians and in my case has proved to be quite problematic.
To a photographer, clean of this system, I would not recommend to enter. Once you bought a camera, you will have difficulties to sell it. The market is saturated with cameras, nobody actually buys, because it's a lottery. The lenses are expensive, the Schneiders are very expensive. Some people here talk about their particular qualities, but if you search Flickr, you'll find nothing special in form of final result. Actually, you'll find a kind of photos, for which you would ask yourself for a justification of so expensive a gear... For myself, I am struggling to invent a good grip or handle and I will be using the 6001 because of OTF metering and through the film I already bought. I don't expect much of so bulky and unreliable camera, though. Each time I compose, I find mysef struggling with the shaky expensive thing which only becomes responsive, if fed with enough voltage/current. And I don't know at what point of battery discharge, the camera is going to become slow and to fire a shot a second after I press the button. This is "bullshit" engineering, a good sample of it. You will have to carry around a spare battery pack and see it being fully charged. What to do if the back jams the film? Yes, the only reasonable thing is to carry a spare one. Your back will not be happy for sure. Too many issues to worry about.
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?