The film itself would cost more than Velvia, which ranges from $10-12/36 exposures,
There's no reason the film should cost more than Velvia. In fact, objectively, it should cost less. The processing is a different matter but the film is basically a multi layer B&W film so if anything it should cost less than a chromogenic film.
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How much would you be willing to pay if Kodachrome were ever resurrected? I have set the price points based on current markets plus past experience. E-6 runs around $20-30/roll for film+processing, depending on market and film choice (assumes buying new film, not frozen, short-date, out-of-date or second-hand). Kodachrome was always more expensive than E-6, so I'm assuming that film and processing would cost at the very least $30/roll for film+processing, not counting shipping and tax.
$50, no, $100, do I hear $200, $250? wait people are interested? $500 and only if I deem your photos worthy .you are not worthy, NO ONE IS WORTHY!
I have a couple rolls, so I can shoot Kodachrome any time I want.
[...]You're either rich or an idiot to pay $30/roll for any single roll of film on a regular basis[...]
Oh, really...!?
Well, no. There are plenty of photographers, including this one, paying $40 for a Velvia 120 or 35mm film + E6 bundle. When the quality of imaging matters...when a statement must be made, you select the film (and the equipment) that does the job no compromise. Don't forget to add-on the real, incidental costs: travel, fuel, etc. greater than $40. The 22% increase in April will not improve things, no, but hey, photography was never meant to be cheap.
Oh, really...!?
Well, no. There are plenty of photographers, including this one, paying $40 for a Velvia 120 or 35mm film + E6 bundle. When the quality of imaging matters...when a statement must be made, you select the film (and the equipment) that does the job no compromise. Don't forget to add-on the real, incidental costs: travel, fuel, etc. greater than $40. The 22% increase in April will not improve things, no, but hey, photography was never meant to be cheap.
I have a couple rolls, so I can shoot Kodachrome any time I want.
p.s. I voted $50
For that price I might buy one or two rolls of fresh Kodachrome and processing. I would shoot any ISO that might be made, but prefer 25. I formerly shot 25, 64 and 200 and always liked the results from 25 most.
You're paying Aussie dollars for those rolls. The $10-12 I was quoting for Velvia is from B&H in US dollars, processing NOT included. Processing for E-6 runs around $10/roll depending on if you want sleeved or mounted.
Again, sorry, I only shoot 120 $8.55 not 35mm $11.59
http://www.bhphotovideo.com/c/product/512065-USA
And process film at home (about 20 rolls can be done from a $35 kit) for $1.75/roll
So that's a total of $10.30
But even if I send it out to Dwayne's it's only about $6/roll for processing which is $15 total not $30...
(I also last bought a large stash of E-6 right before Fuji announced a price hike so it was less and I wasn't aware of current prices ... BTW they will be raising priced again in ... I think it's April 2014 but could be earlier so stock up now!)
There's no reason the film should cost more than Velvia. In fact, objectively, it should cost less. The processing is a different matter but the film is basically a multi layer B&W film so if anything it should cost less than a chromogenic film.
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I'm talking about using a local lab, not a discount mail-order facility.
I'm using 35mm as the standard for comparison because that was the only format Kodachrome was available in for the last oh say decade of its production, and would most likely be the only format available if it were to be brought back.
Actually no. Kodachrome is "silver-rich" in comparison to E-6. And instead of having one silver-gelatin emulsion layer, it has THREE, each with a sensitizer coupler to key it to a specific region of the color spectrum. What's a roll of Tri-X cost now? Triple that, and maybe more to compensate for the lower volume, increased quality control requirements and the more advanced chemistry.
What could we do, if anything, and within the constrained context of an APUG poll, to improve our chances of getting meaningful results? Presumably this would involve better designing the question(s) asked, and the voting options. I don't think we could alter the presentation format, but I might be wrong. But there must be a better way to approach this Kodachrome question.
I'm talking about using a local lab, not a discount mail-order facility.
Actually no. Kodachrome is "silver-rich" in comparison to E-6. And instead of having one silver-gelatin emulsion layer, it has THREE, each with a sensitizer coupler to key it to a specific region of the color spectrum. What's a roll of Tri-X cost now? Triple that, and maybe more to compensate for the lower volume, increased quality control requirements and the more advanced chemistry.
How much of the price of Tri-X is due to the silver content? How much silver is actually in the film? I don't know the answers here but I suspect it's not that much, and it certainly isn't 100% of the cost of the film, which is the only way that having three times the silver content would make the film cost three times as much. Further, ALL the silver can be recovered from Kodachrome. Assuming KA was running the only processing game in town (I don't think this would run afoul of anti-trust laws as long as they ALLOWED anyone else to do it that wanted to - but if no one else actually DID then it would effectively be their game) they'd recover all that, at fairly small cost in the scheme of things, on the processing end anyway.
Back when it was available I don't recall it costing more than E6 films. I'm currently paying $15-$16 per roll for Provia 400X. I can't afford to lay in a big stash at those prices but every time I order other stuff I buy at least one or two rolls while I still can. I'd certainly pay $20 for Kodachrome, and another $10 for processing (which is more than I pay now for E6 processing) without blinking or thinking. That would be $25/roll. As I said, I'd pay $50 combined film and processing for at least a few rolls a year, and yes I know that won't sustain production, unless many thousands were willing to do that. And Stone, I am neither rich nor an idiot.But I like Kodachrome and, with its resistance to dark fading and general archival qualities, I'd pay that for a few rolls a year for special occasions, at least.
For 100 speed film, well I continue shooting up my stash of E100G and I'm buying the Agfa Precisa rebranded version of Provia 100, which is significantly cheaper than Fuji brand and I can't tell the difference - $7 or so for the last batch I bought. I only shoot 35mm in transparency film because I'm shooting for projection. That would change if I'd shell out the money for a medium format projector.But I'm paying that $7 a roll because I CAN. My usage of E6 would not drop significantly if I had to pay double that. I shoot maybe 20 rolls of E6 a year or thereabouts. Far less than I do black and white, but I enjoy it and my end of year slide shows are becoming a tradition among a group of friends.
Kodachrome is "silver-rich" in comparison to E-6. And instead of having one silver-gelatin emulsion layer, it has THREE, each with a sensitizer coupler to key it to a specific region of the color spectrum.
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