Richard- Though I have a Jobo system.. I also process a lot of solarization( black and white and colour negative) in the Kodak deep tank system.. basically stainless steel buckets... I would not have any issue with this method.
In fact I processed over 200 rolls for Russell Monk Casa series which was all grey background with natural light.. basically your sky equivilent. We did not encounter any issues with streaking in the background- and no I did not use a prewash.
The only time I use pre wash is with PMK on a Jobo. For ID11 and HC110 I never use a prewash.
For this project I used stainless steel reels in a basket.. think I could do about 20 rolls at a time and I was very consistent in my process- used the Kodak method of agitation in large tank.. there was no issue about chemicals getting to the film.. If you keep findind this problem to still show itself .. and if you feel strongly its the lack of agitation or flow of chemistry to the emulsion fast enough then you may want to give this approach a try.
I have zero problem with this method... when I let assistants do this - they get bored really fast and I end up with surge issues on edges of film so its something you definately need to do yourself as you
will only be screwing yourself if you agitate improperly..
Before Jobo this was my go to method for 20 years. In fact I made extra cash at school by processing the evening runs of student film... Ahhh I was destined to be a lab rat working for others..
Bob
That's pretty much how I do it too. And I'd say 70% I have no issues. It's that 30% of the time that ticks me off and it's always some photo with lots of sky! Perhaps some change in my technique of pouring might help, who knows. In the meantime I'll keep the variables to a minimum and only change to doing a pre-soak and hope I do not see it any more. If I do I'll revisit the issue again.
Thanks again all, VERY much appreciate everyone's thoughts.