Paul Howell
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This is true! I have a cache of Panatomic-X in 35mm and a roll or two of it in 120. I can't say that it's "better than" TMX, but it certainly has a nice look to it.
120 backing paper issues arose for Kodak in a recent timeframe.
I have to disagree with this.
There have always been issues with wrapper offset and other backing paper related problems.
I have used heavily expired film for speculative and possibly expressive effects. Here is an example:
Past Imperfect #7
Gelatin-silver photograph on Ultrafine Silver Eagle VC FB photographic paper, image size 16.4cm X 21.3cm, from a 4x5 Tri-X Pan Professional negative
exposed in a Tachihara 45GF double extension field view camera fitted with a home-made 150mm f4 Wollaston Meniscus soft-focus lens and a #25 red filter.
My photographer friend died after a long long illness and some of his equipment passed into my hands.
There were many film holders that he had loaded with Tri-X fifteen years previously but could not expose.
The film had corroded through the passage of years but I took it to those places where we had previously walked with our cameras.
I tried to make this Past Imperfect exposure as a kind of meditation on time and loss.
I have used heavily expired film for speculative and possibly expressive effects. Here is an example:
Past Imperfect #7
Gelatin-silver photograph on Ultrafine Silver Eagle VC FB photographic paper, image size 16.4cm X 21.3cm, from a 4x5 Tri-X Pan Professional negative
exposed in a Tachihara 45GF double extension field view camera fitted with a home-made 150mm f4 Wollaston Meniscus soft-focus lens and a #25 red filter.
My photographer friend died after a long long illness and some of his equipment passed into my hands.
There were many film holders that he had loaded with Tri-X fifteen years previously but could not expose.
The film had corroded through the passage of years but I took it to those places where we had previously walked with our cameras.
I tried to make this Past Imperfect exposure as a kind of meditation on time and loss.
“Expired” film, or film older than the “Use by” date is still good until it goes bad.
Old film is chemically unstable (that is why it has an expiry date).
It's not much use if you travel for hours/days and hundreds or thousands of miles, take a shot and then discover after you process it that between the time you tested and the time you develop it has gone over the edge - wasting all that time and effort.
To me, it's just not worth the risk and expired film goes into the trash.
Some of course have a higher tolerance for risk/pain.
Should we use expired film or it’s garbage ?
What do you think of expired respoolers and old brand resellers of expired film ?
Should it be considered as good as it for experimental purposes or should we forget it ?
They are opportunistic parasites, IMO.What do you think of expired respoolers and old brand resellers of expired film ?
I freeze Velvia 50, TMAX 100, and TMAX 400 all in 4x5 at around -5°F (-15 °C). How long past the expiry dates can I reasonably expect these films to last without any noticeable changes in results?
Should we use expired film or it’s garbage ?
What do you think of expired respoolers and old brand resellers of expired film ?
Should it be considered as good as it for experimental purposes or should we forget it ?
Using our own expired b+w film is good, especially after testing, and especially for testing developer concoctions without wasting the good stuff. I have 30 year old tmx that has no fog, but needs a litting push processing to give normal contrast and speed. I have 30 year old tmy with base fog that is also low contrast now and slower and needs pushing and more more exposure, but looks good anyway.Should we use expired film or it’s garbage ?
What do you think of expired respoolers and old brand resellers of expired film ?
Should it be considered as good as it for experimental purposes or should we forget it ?
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