jamesgignac
Member
It entirely depends on how you want to shoot it - of course, getting up close is always best.
The last concert I shot was split between a Bronica ETRSi on 220, hand-held, very close to the stage and a Hasselblad 503cx with a 250mm lens on a tripod stationary at the back, just for another perspective.
I should mention that a crucial point was that my bronica had a remote flash slave attached to it which was linked up to two tripod-mounted flashes on either side of the stage. For these hand-held, low-light shots it was definitely necessary to blow the place out with some flash. I shot the hasselblad with longer exposures and sometimes triggered the flashes by hand to paint in the photos...it worked very well.
#1 Tip: Pay attention the the action more than the framing.
Uh...okay, well I answered the question instead of paying attention to the flow of conversation - nice images! Glad it all worked out.
The last concert I shot was split between a Bronica ETRSi on 220, hand-held, very close to the stage and a Hasselblad 503cx with a 250mm lens on a tripod stationary at the back, just for another perspective.
I should mention that a crucial point was that my bronica had a remote flash slave attached to it which was linked up to two tripod-mounted flashes on either side of the stage. For these hand-held, low-light shots it was definitely necessary to blow the place out with some flash. I shot the hasselblad with longer exposures and sometimes triggered the flashes by hand to paint in the photos...it worked very well.
#1 Tip: Pay attention the the action more than the framing.
Uh...okay, well I answered the question instead of paying attention to the flow of conversation - nice images! Glad it all worked out.