Sparky
Member
gnashings said:My poor head - now I am confused! I tried to always keep my agitation pattern as consitant as possible to eliminate an extra variable when I try to fine tune my process based on the results I get. It has so far been working for me - is this Perceptol 1+3 specific advice or just in general?
I do appreciate everyones input - thanks!
Well - I'm not quite sure what you mean by specific vs. general. But 1+3 tends to give much better acutance. It's slightly less 'realistic' in the tonal sense - but there's a very soft, beautiful ETCHED quality to the 'lines' of separate tonal areas (sorry - the best way I can think of to put it). Since dev times are so long with Perceptol 1+3 (I was wrong actually - I looked up some data - and it looks like it'd be closer to 20 mins. - but you'll have to test for yourself since this combo isn't on the charts) - it's nearly stand development. That being the case - I was suggesting erratic agitation patterns so that you won't get any patterns forming on the film. The whole trick is to break up the surface layer of dev. on the film (like a static laminar layer) and get fresh dev onto the surface of the film every few minutes without marks from, say, sprocket holes or film edges. Maybe have two separate patterns that you alternate with. When I'm developing rollfilm - I normally BANG the tank on a hard surface with as much force as I reasonably can (without damaging anything) just to provide a bit of extra impetus to get the exhausted dev off the film. Just my 2 cents.