Rodinal semi-stand vs Diafine for mixed exposures

Frank Dean,  Blacksmith

A
Frank Dean, Blacksmith

  • 10
  • 5
  • 105
Woman wearing shades.

Woman wearing shades.

  • 1
  • 1
  • 97
Curved Wall

A
Curved Wall

  • 6
  • 0
  • 107
Crossing beams

A
Crossing beams

  • 11
  • 1
  • 131

Recent Classifieds

Forum statistics

Threads
198,847
Messages
2,781,802
Members
99,728
Latest member
rohitmodi
Recent bookmarks
0

derevaun

Member
Joined
Apr 7, 2005
Messages
67
Location
Oly, WA
Format
Multi Format
I know these are very different developers and I have some idea of how they might produce different results, but I have a couple questions about my particular application.

I shot some HP5+ Saturday in a Diana (it was World Toy Camera Day), which has very little exposure control and thus the exposures are pretty much all over the scale (well, +- 2 or 3). There were a lot of mountain vistas, for which detail would be nice, relatively speaking. I used a red filter for most of the shots. Obviously I'm not anxious to meet f/64 sanctioned standards :tongue: but I'd like to mitigate the blocked shadows. I don't mind graininess.

How might Rodinal (with semi-stand) and Diafine compare in shadow detail, and in how they'd treat the highlights? What about apparent sharpness? Is Diafine a "solvent" developer (softens the grain?)? Which would you use? Thanks in advance!
 

PhotoPete

Member
Joined
Aug 23, 2005
Messages
320
Location
Waltham, MA
Format
Multi Format
I use Diafine all the time with my Holga negs and it goes a long way towards evening out the exposure compared to other developers I have used (D-76 and DDX) It is also slightly less grainy than the others, IME. Sorry I cannot offer a direct compare with Rodinal.
 
Last edited by a moderator:
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom