Sanders, Terri,
making MCC118 again depends on the availability of the paper base from the base manufacturer. Making "a matt" surface definitely won´t be a problem because they stock it, making "a specific matt" surface very quickly gets you into the struggle of "minimum order quantities".
We will definitely look into this when we start coating on a large scale. Switching the base- even in a running campaign- is theoretically possible. So if we can get the base I am very positive we will be able to offer this product at least once a year.
Best regards,
Mirko
Two: films identical in parameters to films formerly sold as APX 400
Three: films identical in parameters to films formerly sold as APX 100
Four: films identical in parameters to films formerly sold as APX 25
All in 35mm, 120 and Sheets.
Mirko
If you look at this factory from the economical standpoint the idea is to get the fixed costs down to almost zero and work with variable costs only (at least idealy).
So whenever we actually emulsify, coat or confectionate products we have costs, but when we don´t we don´t.
The reason why so many photo factories went into receivership in the past was directly conected with the way they were operated coming from a HUGE worldwide market.
They had very high fixed costs (staff, building, size of machinery) and extremely large capacities. Once you reached a certain production volume your fixed costs were covered and extra output cost you next to nothing. In this case you were making money (serious bigtime money). In return if volumes decreased and you fell below this certain volume you were loosing (serious) money. To run such an operation sucesfully and long term with the markets continously decreasing is quite a challenge and I would be sceptical if a big company promises me today that they will definitely be there 10 years from now happily putting out a few thousand films or sqm of photopaper for analog photo artists every month.
I am resurrecting this thread to ask about an update.
Has anyone received their sample packet yet? (Assuming the paper was cut and sent on the schedule previously mentioned by Mirko.)
Anyone?
The samples beeing sent out are still very fresh and not hardened fully.
Please dry them at room temperature.
got my sample today too, can't wait to get into the darkroom with it!
mirko, how do you reccommended we dry them? the only way i can think of is to hang them up in a darkroom or maybe to stick the sheets in a papersafe?:confused:
cheers
pete
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?