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- Jun 8, 2004
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Leon, as you are using the softest possible filter (#00), which is way below #3 there will be highlight compensation. Now, if the picture as such needs a lot of #5, this will blow away some of the highlight compensation, but as this higher contrast is most often needed in the shadows, you can dodge e.g. the sky while using the #5 filter.
There's the "magic" of highlight compensation with pyro/catechol and then there's the "magic" of split grade printing. Gaining the very best from them both takes some getting used to, but the "magic" is really only a matter of practicing, comparing and keeping notes along the way. Also, both pyro and split-grade can be used for most pictures/prints, but e.g. split-grade is at its best when you have a difficult negative, not for that print which already "prints itself" lovely on grade 2 from the very beginning.
//Björn
There's the "magic" of highlight compensation with pyro/catechol and then there's the "magic" of split grade printing. Gaining the very best from them both takes some getting used to, but the "magic" is really only a matter of practicing, comparing and keeping notes along the way. Also, both pyro and split-grade can be used for most pictures/prints, but e.g. split-grade is at its best when you have a difficult negative, not for that print which already "prints itself" lovely on grade 2 from the very beginning.
//Björn

