I've been doing this for some time, and have spoken about it glowingly here several times, but am I the only one who is still nagged with self-doubt because of the years-ago experience using the old tri-x and getting massive grain/contrast/crud?
So, before a trip to NYC I had to shoot another roll to test, to convince myself, and of course they're fine, as shown by this example, shot at this year's 3-D Con meeting of the National Stereoscopic Association in Salt Lake City.
This is Brian May, lead guitar of "Queen" (yes, tHAT Queen, the Bohemian Rhapsody/We Will Rock You "Queen") who is also a huge fan of stereo photography and always has been. His web site is www.londonstereo.com and he sells a really wonderful viewer for stereo cards.
It wasn't easy but I did get him to stand still long enough to get this, shot a 1/50 at 2.8 (lousy light in that place) with a Stereo Realist, tri-X rated at 1600.

So, before a trip to NYC I had to shoot another roll to test, to convince myself, and of course they're fine, as shown by this example, shot at this year's 3-D Con meeting of the National Stereoscopic Association in Salt Lake City.
This is Brian May, lead guitar of "Queen" (yes, tHAT Queen, the Bohemian Rhapsody/We Will Rock You "Queen") who is also a huge fan of stereo photography and always has been. His web site is www.londonstereo.com and he sells a really wonderful viewer for stereo cards.
It wasn't easy but I did get him to stand still long enough to get this, shot a 1/50 at 2.8 (lousy light in that place) with a Stereo Realist, tri-X rated at 1600.

