Ok. From now on I will always pre-soak. Use water stop bath. And probably stand-develop as well. Always.
Same for printing. I will, from now on, pre-wet my papers before they enter the developer, in which they will stand develop for a whole hour. Water stop, stand fix and then a quick wash.
...
NB23, The way you tell may work perfectly, of course, but please let me tell some considerations.
Both water stop and prewetting are controversial, we always can find a doctor or a priest that prescrives the drugs or the moral rules we want

, so the same for the darkroom
Those are my thougts about your workflow:
> Prewetting IMO makes less sense for paper, as usually paper development is made to completion we don't have much risk of uneveness in the development, having an additional tray with water takes space, if having the space it would be worth using a double fixing bath which is extremly efficient and it delivers archival performance ...to not mention tonning trays !!!
> Me, I use water stop for film (no pre-wetting), but with paper a water stop (non acid) has more risks, specially if you want to open light as soon as possible to inspect the still wet print. A print has to be judged when dry, but you may want to see if it is flawed (or not excellent enough) as soon as possible.
> IMO, better to keep an open mind. "I will always do that from now..." is not the way to advance. Chemical photo has many nuances and complexities, and we have to try many ways to refine our workflow. Nothing wrong in using a well consolidated workflow after we have experimented a lot, but having the mind open can only be recommended. Test and test... to advance, then test again.